12 Best Budget Sony Lenses in January 2026 (Tested)

Sony’s E-mount system has grown into one of the most versatile lens ecosystems available, but the notorious G Master prices can leave your wallet hurting. After testing dozens of affordable options across APS-C and full-frame bodies, I’ve found that you don’t need to spend thousands to get professional-quality images.

The Sigma 30mm f/1.4 DC DN is the best budget Sony lens overall for APS-C shooters, while the Tamron 28-75mm f/2.8 G2 offers the best full-frame zoom value under $700. For ultra-budget photographers, the Sony FE 50mm f/1.8 remains the most reliable autofocus prime under $300.

I’ve spent the past three years shooting with Sony cameras, from the a6000 series to the a7IV, and I’ve learned that third-party manufacturers like Sigma and Tamron often deliver better value than Sony’s own budget options. These companies have aggressively targeted the budget segment while maintaining excellent optical quality.

In this guide, I’ll cover 12 lenses across different price tiers from under $100 manual focus primes to premium budget zooms under $700. Whether you’re shooting with an APS-C body like the a6700 or FX30, or a full-frame camera like the a7IV or a7C, there’s a budget lens here that will transform your photography without breaking the bank.

Our Top 3 Budget Sony Lens Picks (January 2026)

Budget Sony Lens Comparison

Here’s a quick overview of all 12 budget lenses covered in this guide, organized by price and use case:

Detailed Budget Sony Lens Reviews (January 2026)

1. Sigma 30mm f/1.4 DC DN – Best APS-C Prime for Low Light

The Sigma 30mm f/1.4 DC DN stands alone as the best prime lens for Sony APS-C cameras. I’ve used this lens extensively on my a6400 and a6700, and the results consistently impress. The bright f/1.4 aperture lets you shoot in conditions that would send other lenses packing, while delivering that shallow depth of field that makes subjects pop.

What makes this lens special is how it balances price and performance. Sigma managed to create something that rivals lenses twice the price. The optical quality is exceptional, with sharp center focus that holds up even wide open. Customer photos consistently show the crisp details this lens captures, from portraits to street scenes.

The autofocus performance is another standout feature. While it’s not quite as snappy as Sony’s native lenses, it’s more than adequate for most shooting situations. I’ve captured moving subjects, street photography, and even some casual sports without issue. The stepping motor is quiet enough for video work, though you might want to avoid it for professional productions.

Build quality feels premium despite the budget price. The metal mount and solid construction give you confidence that this lens will last. At just 9.3 ounces, it’s light enough for all-day carry. Many users report this lens stays on their camera 80% of the time, and I understand why.

The 45mm full-frame equivalent focal length hits a sweet spot for general photography. It’s close enough to natural perspective for street and documentary work, but tight enough for portraits and details. If you’re only going to buy one prime for your APS-C Sony, this should be it.

Who Should Buy?

APS-C shooters who want one prime lens that handles everything from low light to portraits. This is the perfect first upgrade from your kit lens.

Who Should Avoid?

Full-frame shooters (this won’t cover the sensor) and videographers who need built-in stabilization.

2. Sigma 18-50mm f/2.8 DC DN – Best Constant Aperture Zoom for APS-C

If you want the versatility of a zoom without sacrificing light-gathering ability, the Sigma 18-50mm f/2.8 is a game-changer. This lens delivers constant f/2.8 throughout the entire zoom range, something that used to cost twice as much. I’ve tested this alongside Sony’s own zooms, and the image quality holds up impressively well.

The 27-75mm full-frame equivalent range covers most everyday shooting situations. At 27mm, you’re wide enough for landscapes and group shots. At 75mm, you have enough reach for flattering portraits and some detail work. It’s the kind of lens that can stay on your camera all day and handle whatever you encounter.

Image quality is where this lens truly shines. The sharpness is excellent across the frame, especially when stopped down slightly to f/4. The bokeh is smooth and pleasing, with circular aperture blades creating nice rounded highlights. Customer images frequently show the beautiful background separation this lens achieves, even at mid-range apertures.

For video creators, this is a near-perfect APS-C lens. The constant aperture means your exposure won’t change when zooming. The autofocus is fast and quiet enough for gimbal work. And at just 10.2 ounces, it won’t unbalance your stabilizer. Many FX30 and a6700 users swear by this lens for run-and-gun videography.

The main compromise is the lack of optical stabilization. You’ll need to rely on your camera’s IBIS or shoot at higher shutter speeds. If you’re shooting with an a6400 or older body without in-body stabilization, this might be a concern. But for modern Sony cameras with IBIS, it’s a non-issue.

Who Should Buy?

APS-C shooters who want one do-it-all lens with professional features. Perfect for travel, events, and video work.

Who Should Avoid?

Photographers without IBIS who need stabilization, or those shooting in extreme low light where primes excel.

3. Viltrox 25mm f/1.7 – Best Budget Autofocus Prime for APS-C

The Viltrox 25mm f/1.7 arrived in early 2025 and quickly became one of my favorite budget primes. At under $180, it punches well above its weight class. The 38mm full-frame equivalent focal length is one of the most versatile options available, close enough to natural perspective for street photography while still working for portraits and general shooting.

What impresses me most about this lens is the sharpness. Wide open at f/1.7, you get usable results that improve dramatically when stopped down to f/2.8. Customer photos consistently show the crisp details this little lens can capture. The optical design includes 12 elements in 10 groups, with ED glass and aspherical elements keeping aberrations in check.

The autofocus performance is surprisingly good for a third-party budget lens. It locks on quickly and accurately in most situations. Eye AF works reliably on compatible Sony bodies, making this a viable option for portrait work. The focus motor is audible, so videographers might want to look elsewhere, but for stills photography, it’s more than adequate.

At just 6.3 ounces and under 3 inches long, this lens is incredibly compact. It’s the perfect companion for travel photography when you want quality without the bulk. I’ve thrown it in a small bag alongside my camera body and barely noticed it was there. The all-metal construction gives it a premium feel that belies the budget price.

The f/1.7 aperture isn’t quite as bright as the Sigma’s f/1.4, but it’s still plenty fast for most low-light situations. You get decent background separation and can shoot indoors without cranking your ISO to unacceptable levels. For the price difference, this is an excellent alternative to the Sigma for budget-conscious shooters.

Who Should Buy?

APS-C photographers wanting a versatile autofocus prime on a tight budget. Great for street, travel, and everyday photography.

Who Should Avoid?

Videographers who need silent autofocus, or photographers who need wider or longer focal lengths.

4. Tamron 17-70mm f/2.8 Di III-A VC RXD – Best Premium APS-C Zoom with Stabilization

The Tamron 17-70mm f/2.8 is the ultimate APS-C all-in-one lens. This was the world’s first high-speed standard zoom for APS-C with such a wide focal range and constant f/2.8 aperture. After shooting with it extensively on my a6700 and FX30, I can confidently say it’s the best zoom lens you can buy for Sony’s APS-C cameras under $600.

The 25.5-105mm full-frame equivalent range covers virtually everything you need. From wide landscapes at 17mm to telephoto reach at 70mm, this lens handles it all. The constant f/2.8 aperture means your exposure doesn’t change when zooming, and you maintain decent low-light performance throughout the range.

What sets this lens apart from the Sigma 18-50mm is the built-in VC (Vibration Compensation) stabilization. This makes a huge difference for handheld shooting and video work. I’ve shot handheld video at slow shutter speeds that would have been unusable without stabilization. The VC system is quiet and unobtrusive, making it suitable for professional video work.

Optical performance is excellent throughout the zoom range. Sharpness is consistent from corner to corner, with minimal chromatic aberration. The 16 elements in 12 groups optical design includes special glass elements that keep distortion and aberrations well controlled. Customer images demonstrate the impressive quality this lens delivers across different focal lengths.

The RXD (Rapid eXtra-silent stepping Drive) autofocus motor is fast and virtually silent. It works great for both stills and video, with smooth focus pulls that look professional. The lens focuses surprisingly close too, with a minimum object distance of just 7.5 inches at the wide end.

Who Should Buy?

APS-C shooters who want one premium zoom that does everything. Perfect for event photography, travel, and video production.

Who Should Avoid?

Photographers who prioritize compact size, or those who need weather sealing for outdoor work.

5. Meike 50mm f/1.8 AF – Best Budget Full-Frame 50mm Alternative

The Meike 50mm f/1.8 AF is one of the biggest surprises in the budget lens market. At under $160, it offers legitimate competition to Sony’s FE 50mm f/1.8 at a significantly lower price. After testing both lenses side by side on my a7IV, I found the Meike holds its own and even exceeds the Sony in some areas.

Wide open at f/1.8, this lens delivers impressive sharpness. The center is crisp right from f/2, with excellent performance across the frame by f/4. Customer photos consistently show the beautiful bokeh this lens produces, with smooth background blur that looks professional. The 9-blade aperture creates pleasing circular highlights in out-of-focus areas.

The autofocus performance is surprisingly good. Meike equipped this lens with an STM stepping motor that focuses quickly and accurately. While it may hunt more than Sony’s native lens in very low light, in normal conditions it’s more than adequate. Eye AF works reliably on compatible cameras, making this a viable portrait lens.

Build quality feels substantial with a metal mount and solid rubber gasket at the mount point. The focus ring is smooth and well-damped, though most users will rely on autofocus. The lens includes a USB-C port for firmware updates, showing Meike’s commitment to supporting the product.

Optical construction includes 7 groups and 11 elements with multi-layer coating. This helps reduce flare and ghosting, though some chromatic aberration is present wide open. For the price, these optical compromises are entirely acceptable and correctable in post-processing.

Who Should Buy?

Full-frame photographers on a tight budget who want a reliable 50mm prime. Perfect alternative to Sony’s more expensive option.

Who Should Avoid?

Photographers who need weather sealing or optical stabilization for handheld low-light work.

6. Sony FE 50mm f/1.8 – Best Native Sony Full-Frame Prime

The Sony FE 50mm f/1.8 is the budget lens that started it all for many Sony shooters. With nearly 7,000 reviews averaging 4.6 stars, this lens has proven itself as a reliable workhorse. I’ve used it on everything from the original a7 to the latest a7IV, and it continues to deliver consistent results.

This lens shines brightest when you consider its native integration. As a Sony lens, it works seamlessly with all camera features including Eye AF, tracking, and in-body stabilization optimization. The metadata transmission means your camera always knows what lens is attached, enabling proper stabilization and metadata recording.

Optical performance is excellent for the price. While it’s a bit soft wide open at f/1.8, stopping down to f/2.8 transforms the image. Sharpness improves dramatically across the frame, and you get professional-looking results. Customer photos demonstrate the beautiful portraits this lens can capture when used correctly.

The 7-blade circular aperture creates lovely bokeh that looks natural and pleasing. Background separation is good at f/1.8 and excellent by f/2.8. For portrait work, this lens is hard to beat at this price point. The 75mm equivalent on APS-C makes it even better for portraits on crop-sensor bodies.

At just 6.6 ounces and under 3 inches long, this lens is incredibly compact. It’s the perfect walk-around prime that won’t weigh you down. The metal mount adds durability, and the overall build feels solid despite the budget construction. Many photographers call this their “ol’ reliable” because it always delivers.

The autofocus is decent in good light but can hunt in challenging conditions. The DC motor focus actuator is audible, making this less than ideal for video work. But for stills photography in normal lighting, it gets the job done reliably.

Who Should Buy?

Beginners upgrading from kit lenses, and anyone who wants native Sony reliability at an affordable price. Perfect first prime lens.

Who Should Avoid?

Videographers who need silent autofocus, or photographers who shoot primarily in low light where faster primes excel.

7. Tamron 28-75mm f/2.8 Di III VXD G2 – Best Full-Frame Standard Zoom Value

The Tamron 28-75mm f/2.8 G2 is the lens that proved third-party zooms can compete with Sony’s best. This second-generation version improved on the already excellent original with faster autofocus and better optical quality. After shooting with it extensively on my a7III and a7IV, I can confidently say it’s the best standard zoom value under $700.

The constant f/2.8 aperture is what makes this lens special. Most budget zooms slow down to f/3.5 or f/4.5, but this maintains f/2.8 throughout the range. This gives you consistent low-light performance and depth of control from wide to telephoto. It’s a game-changer for event photography where lighting conditions vary.

Optical quality is outstanding across the frame. The center is sharp even wide open, with corners cleaning up nicely by f/4. Customer images consistently show the professional-level results this lens is capable of producing. The 67mm filter size matches other Tamron zooms, making it easy to share filters across your lens kit.

The VXD (Voice-coil eXtreme-torque Drive) autofocus motor is a significant improvement over the original. It’s lightning fast and virtually silent, making this lens suitable for both stills and video. Focus breathing is minimal, which is important for video work where slight focal length changes during focus pulls can be distracting.

At just 19 ounces and 4.6 inches long, this is remarkably compact for a constant f/2.8 full-frame zoom. It’s significantly smaller and lighter than Sony’s 24-70mm GM, making it a better choice for all-day shooting. The moisture-resistant construction provides some protection, though full weather sealing would have been nice.

Who Should Buy?

Full-frame shooters who want professional zoom performance without the GM price. Perfect for weddings, events, and travel photography.

Who Should Avoid?

Photographers who need wider than 28mm, or those requiring built-in stabilization for bodies without IBIS.

8. Tamron 28-200mm f/2.8-5.6 Di III RXD – Best Do-It-All Travel Lens

The Tamron 28-200mm is the ultimate travel lens for Sony full-frame cameras. This was the world’s first all-in-one zoom to achieve f/2.8 at the wide end, making it unique among superzooms. I’ve taken this lens on multiple trips, and the convenience of having 28-200mm in one compact package cannot be overstated.

The versatility here is unmatched. From wide landscapes at 28mm to telephoto reach at 200mm, this lens covers virtually any situation you might encounter while traveling. The f/2.8 aperture at 28mm gives you decent low-light performance at the wide end, though you’ll be working with f/5.6 at 200mm.

What impresses me most is the optical quality for such an ambitious zoom range. Most superzooms make significant optical compromises, but Tamron managed to keep center sharpness excellent throughout the range. Customer photos show the impressive results possible when you work within this lens’s strengths.

The RXD autofocus motor is fast and virtually silent. It works well for both stills and video, with smooth focus pulls that look professional. The quiet operation is especially appreciated when shooting video in quiet environments where microphone pickup is a concern.

At 20.3 ounces and 4.6 inches long, this is remarkably compact for its capabilities. It’s significantly smaller than carrying multiple lenses, making it ideal for travel where weight and space are at a premium. The moisture-resistant construction and fluorine coating provide some protection from the elements.

Who Should Buy?

Travel photographers who want one lens that handles everything. Perfect for adventure photography, family vacations, and situations where changing lenses isn’t practical.

Who Should Avoid?

Photographers who need faster apertures at the telephoto end, or those requiring professional-grade edge-to-edge sharpness.

9. Sony E 55-210mm f/4.5-6.3 OSS – Best Budget Telephoto for APS-C

The Sony E 55-210mm f/4.5-6.3 OSS is the budget telephoto that launched with the original a6000 and remains relevant today. For APS-C shooters needing affordable reach, this lens delivers 315mm full-frame equivalent in a compact, lightweight package. I’ve used it for wildlife, sports, and even some casual bird photography.

The Optical SteadyShot stabilization is this lens’s secret weapon. Telephoto lenses magnify camera shake, making stabilization essential. Sony’s OSS system works remarkably well, allowing sharp handheld shots at slower shutter speeds than you’d expect. This makes the lens more versatile than its slow aperture might suggest.

The 82-315mm full-frame equivalent range gives you serious reach for distant subjects. Wildlife photography becomes possible, as does sports photography from the sidelines. While the f/6.3 aperture at 210mm limits low-light use, in daylight conditions this lens performs admirably.

Build quality is decent for the price, with a metal mount adding durability. The internal focusing design means the filter ring doesn’t rotate during focusing, which is great if you use polarizing filters. At 12.2 ounces, it’s light enough for handheld use over extended periods.

Autofocus performance is adequate, though not lightning fast. The lens hunts a bit in low light, but in good conditions it locks onto subjects reliably. Many users report this as their go-to telephoto for casual use, especially given the affordable price point.

Who Should Buy?

APS-C photographers needing affordable telephoto reach. Perfect for wildlife, sports, and casual long-range photography.

Who Should Avoid?

Photographers needing fast apertures for low light, or professionals requiring top-tier sharpness.

10. Brightin Star 50mm f/1.8 – Best Ultra-Budget Portrait Prime

The Brightin Star 50mm f/1.8 is one of the most incredible value propositions in the Sony ecosystem. At under $70, this manual focus prime delivers performance that punches well above its weight class. While it’s APS-C only and manual focus only, for the price it’s hard to complain about these limitations.

The all-metal construction gives this lens a premium feel that expensive plastic lenses can’t match. At 14.4 ounces, it’s surprisingly hefty, but the build quality inspires confidence. The aperture ring has precise clicks, and the focus ring is smooth with good resistance. Customer photos show the beautiful vintage-like character this lens can produce.

Optically, this lens delivers impressive results for the price. Wide open at f/1.8, you get useable images with nice background blur. The sweet spot is around f/5.6-8.0, where sharpness becomes excellent across the frame. Many users report being pleasantly surprised by the image quality, comparing it favorably to lenses costing three times as much.

The 75mm full-frame equivalent focal length is perfect for portraits on APS-C bodies. You get good working distance from your subject, flattering perspective, and decent background separation. This makes it an excellent choice for anyone wanting to explore portrait photography on a budget.

The manual focus nature can be either a blessing or a curse. For beginners, it’s a great learning tool that helps you understand focus and depth of field. For experienced photographers, it offers precise control. But for anyone needing autofocus for fast-moving subjects, this lens won’t work.

Who Should Buy?

Beginners wanting to learn manual focus, and photographers on extreme budgets who need a fast portrait prime for APS-C.

Who Should Avoid?

Photographers who need autofocus, or anyone using full-frame cameras (this is APS-C only).

11. TTArtisan 50mm f/2 – Best Ultra-Budget Full-Frame Prime

The TTArtisan 50mm f/2 brings full-frame compatibility to the ultra-budget segment. At under $80, this manual focus prime makes it possible for anyone to enter the world of full-frame photography without spending hundreds on lenses. I’ve tested it on both APS-C and full-frame Sony bodies, and it works on both.

The 50mm focal length is the classic “nifty fifty” that every photographer should own. It’s close to the human eye’s perspective, making it incredibly versatile. From street photography to portraits to product shots, this focal length handles it all. Customer photos demonstrate the creative possibilities this lens unlocks at an unbeatable price.

Build quality is impressive for the price. The all-metal aviation aluminum construction feels substantial, with smooth focus ring action and satisfying aperture clicks. At just 7.1 ounces and under 2.5 inches in diameter, this lens is incredibly compact. It’s the perfect pocketable prime for walk-around photography.

Optically, you need to work within this lens’s limitations. Wide open at f/2, images are soft with low contrast. But stop down to f/5.6, and sharpness improves dramatically. The 10 diaphragm blades create smooth bokeh that looks professional when used correctly.

The multi-layer coating helps reduce flare and ghosting, though shooting directly into strong light can still cause issues. Like most ultra-budget lenses, quality control is inconsistent. Some units may focus past infinity or have other issues, but at this price point, replacement is relatively painless.

Who Should Buy?

Anyone wanting the cheapest possible full-frame compatible lens, and beginners learning the fundamentals of manual focus photography.

Who Should Avoid?

Photographers who need autofocus or professional-grade optical quality wide open.

12. 7Artisans 25mm f/1.8 – Best Ultra-Budget Wide Angle

The 7Artisans 25mm f/1.8 rounds out our ultra-budget options with a wide-angle perspective for under $75. This APS-C manual focus prime offers a 37.5mm full-frame equivalent focal length that works great for street photography, environmental portraits, and everyday shooting.

What I love about this lens is how it enables photography for those on the tightest budgets. Students, beginners, and anyone curious about manual focus photography can explore creative possibilities without risking much money. Customer photos show the impressive results possible when you work within this lens’s strengths.

The optical design includes 7 elements in 5 groups with 12 diaphragm blades. Those aperture blades create smooth, circular bokeh that looks more expensive than the lens price suggests. Center sharpness is surprisingly good, especially stopped down to f/2.8-5.6.

At just 5.1 ounces and compact dimensions, this lens is incredibly portable. It’s the kind of lens you can throw in a small bag and forget about until you need it. The all-metal construction gives it a premium feel that plastic lenses at twice the price can’t match.

The manual focus experience is smooth and enjoyable. The focus ring has good resistance, and the clicked aperture ring provides tactile feedback. This is a lens that encourages slow, deliberate photography. For anyone wanting to learn the fundamentals, it’s an excellent teacher.

Who Should Buy?

Students and beginners on extreme budgets, and photographers wanting to learn manual focus with a versatile focal length.

Who Should Avoid?

Anyone needing autofocus, or full-frame shooters (this is APS-C only).

APS-C vs Full Frame: Understanding Sony Lenses

One of the most confusing aspects of Sony’s system is the difference between APS-C and full-frame lenses. Sony E-mount lenses come in two varieties: E lenses (APS-C only) and FE lenses (full-frame compatible, also work on APS-C).

When you use an APS-C lens on a full-frame camera, the camera will automatically crop the sensor, resulting in lower resolution. For example, a 24MP a7III shooting with an APS-C lens will only use about 10MP of the sensor. This is why it’s generally recommended to buy FE lenses if you plan to upgrade to full-frame eventually.

The crop factor is 1.5x for Sony APS-C cameras. This means a 30mm APS-C lens has the same field of view as a 45mm full-frame lens. This is actually advantageous for telephoto reach, but it means wide-angle APS-C lenses aren’t actually very wide.

For best cameras under 2000, you’ll often find APS-C bodies that benefit greatly from the budget lenses covered in this guide. These combinations offer excellent value for emerging photographers.

Buying Guide: Choosing the Right Budget Sony Lens

Under $100: Ultra-Budget Manual Focus Primes

The under $100 price tier is dominated by Chinese brands like TTArtisan, 7Artisans, and Brightin Star. These manual focus primes offer incredible value for photographers willing to work within their limitations. You get fast apertures, all-metal build quality, and surprisingly decent optics for the price.

The trade-off is manual focus only. These lenses have no electronic communication with your camera, meaning no EXIF data, no autofocus, and no automated camera settings. But for learning photography or experimenting with different focal lengths, they’re unmatched in value.

Under $300: Reliable Autofocus Options

The $150-300 range is where you find reliable autofocus from both Sony and third parties. The Sony FE 50mm f/1.8 is the standout here, offering native performance and compatibility. Third-party options like the Meike 50mm f/1.8 and Viltrox 25mm f/1.7 provide excellent alternatives with similar performance at lower prices.

This is the sweet spot for most beginners upgrading from kit lenses. You gain autofocus, decent optical quality, and compatibility with camera features like Eye AF. These lenses deliver professional-looking results without breaking the bank.

Under $700: Premium Budget Zooms

The $500-700 tier brings you into professional territory with constant f/2.8 zooms from Tamron and Sigma. These lenses deliver performance that rivals Sony’s G Master series at a fraction of the price. The Tamron 28-75mm f/2.8 G2 and Sigma 18-50mm f/2.8 are standout values.

These zooms are perfect for photographers who need professional performance without professional budgets. Wedding photographers, event shooters, and serious enthusiasts will find everything they need in this price tier.

Prime vs Zoom: Which is Right for You?

Prime lenses (fixed focal length) generally offer wider apertures, better optical quality, and smaller sizes. They’re perfect for low light, portraits, and street photography. Zoom lenses offer versatility and convenience, making them ideal for travel, events, and situations where you can’t change lenses.

For beginners, I recommend starting with a fast prime like the Sigma 30mm f/1.4 or Sony 50mm f/1.8. These teach you about composition and depth of field while providing excellent low-light performance. Add a zoom like the Sigma 18-50mm when you need versatility.

Third-Party vs Sony Native

Third-party lenses from Sigma and Tamron often offer better value than Sony’s own options. Sigma’s Art and Contemporary series deliver exceptional optical quality at competitive prices. Tamron’s zooms are renowned for their value and innovative focal ranges.

Sony native lenses have advantages in autofocus performance, weather sealing, and resale value. But for most budget-conscious photographers, third-party options provide 90% of the performance at 60% of the price.

Frequently Asked Questions

Final Recommendations

After testing dozens of budget lenses across various Sony bodies, I’ve found that you don’t need to spend thousands to get excellent results. The key is understanding your needs and choosing the right tool for the job.

For APS-C photographers, the Sigma 30mm f/1.4 DC DN is my top recommendation as a first prime. It delivers professional-quality results at a price that won’t break the bank. Pair it with the Sigma 18-50mm f/2.8 for a complete two-lens kit that handles virtually any situation.

Full-frame shooters should start with the Sony FE 50mm f/1.8 for native reliability and autofocus performance. When you’re ready for a zoom, the Tamron 28-75mm f/2.8 G2 offers professional performance at a fraction of the cost of Sony’s G Master lenses.

The third-party revolution in Sony lenses has been a blessing for budget-conscious photographers. Companies like Sigma and Tamron have proven that you can get professional-quality results without professional prices. Whether you’re shooting with an a6000 series camera or the latest a7IV, there’s a budget lens that will elevate your photography.

For more camera recommendations, check out our guide to the best low light cameras to pair perfectly with these fast budget lenses.