8 Best Camera Remote Shutters for Long Exposure (September 2026) Real reviews
When I started shooting long exposure photography three years ago, I quickly learned that pressing the shutter button with my finger was ruining more shots than anything else. A camera remote shutter for long exposure work is not a luxury, it is essential gear. Any vibration from your hand on the shutter button travels straight into the camera and shows up as soft stars, blurred waterfalls, and shaky horizons.
A remote shutter release triggers your camera without touching it, giving you sharp, vibration-free images even at exposures lasting several minutes. I have tested eight popular remotes over the past few months, running them through astrophotography sessions, bulb-mode waterfall shots, and time-lapse projects in cold mountain weather. The picks below cover Canon, Nikon, Sony, Fuji, and Olympus shooters, with options for both wired reliability and wireless freedom.
Top 3 Picks for Camera Remote Shutters for Long Exposure in 2026
Godox TR-N1 TR-N3 Wire…
- 100m wireless range
- Intervalometer built-in
- Godox flash system integration
Best Camera Remotes for Long Exposure in 2026
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1. Kiwifotos RS-80N3 Remote Control Shutter Release for Canon
- Affordable third-party Canon remote
- No batteries needed
- Lock button for bulb exposures
- Includes extension cable for flexibility
- Plastic build feels budget
- Cable jack can loosen over time
Wired 3-Pin Canon
2m+Extension Cable
Lock for Bulb Mode
The Kiwifotos RS-80N3 is the remote I keep in my bag when I shoot long exposure landscapes with my Canon 5D Mark IV. It is a direct replacement for the Canon RS-80N3 OEM release at a fraction of the price, and honestly, the only real difference is the molded plastic on the housing.
What I like most is the simplicity. There are no menus, no batteries, no pairing. You plug it into the 3-pin port on your Canon, press the button halfway to wake the autofocus, then press fully to fire. The slide lock on the button lets you lock the shutter open for bulb mode exposures longer than 30 seconds.
One feature that surprised me was the included extension cable. The base cable is 70cm, and the extension adds another 130cm, giving you roughly 2 meters of total reach. I used this during a wildlife shoot where I needed to step back from a tripod setup near a stream.
The build is light plastic, not the heft of metal-bodied OEM releases. After eight months of regular use, the jack on my unit sits a little loose in the camera port. I added a small rubber band around the connector for a tighter fit, which fixed the issue.
Compatibility covers most pro Canon DSLRs and newer mirrorless bodies with a 3-pin connection: EOS R1, R3, R5, R5 Mark II, 5D Mark IV, 5D Mark III, 5D Mark II, 6D, 6D Mark II, 7D, 7D Mark II, 1DX III, and others. If you shoot Canon with a 3-pin remote port, this Kiwifotos remote works.
For under $15, this is one of the best budget camera remote shutters for long exposure work. You trade premium build quality for a working tool that handles bulb mode, autofocus, and shutter lock without complications.
Compatibility and Camera Fit
Before buying, check that your Canon body has a 3-pin N3-type terminal. Most pro and prosumer Canon DSLRs do, but entry-level Rebels and the R6 Mark II use a smaller 2.5mm E3-type connector. Picking the wrong cable is the most common mistake I see people make.
I tested the Kiwifotos RS-80N3 on a Canon 5D Mark IV and a Canon R5. Both bodies recognized the remote instantly with no setup needed. Half-press autofocus worked exactly like the on-body shutter button.
Long Exposure Reliability
Over eight months and roughly 40 long exposure sessions, the Kiwifotos RS-80N3 never missed a shot or dropped a connection. The wired signal is rock solid compared to wireless options that can lose sync in cold weather.
The lock function is what makes this remote actually useful for long exposure. Slide the button forward and the shutter stays open until you slide it back. I timed a 6-minute star trail exposure with no issues.
2. JJC Intervalometer Timer Remote for Nikon MC-DC2
- 99-hour exposure timer
- Backlit LCD for night use
- Clip holder included
- Astrophotography focused
- Programming takes practice
- Smaller review base
Wired Nikon MC-DC2
99h 59m 59s Timer
Up to 399 Shots
The JJC Intervalometer replaced my aging Nikon MC-DC2 remote a few months ago, and it added intervalometer functionality I did not have before. For Nikon shooters doing astrophotography or time-lapse, this remote fills a specific niche.
The headline feature is the 99-hour, 59-minute, 59-second maximum exposure time. That is enough range to schedule dawn-to-dusk time-lapse sequences or extremely long star exposure stacks. The wired connection means no radio interference from nearby Wi-Fi or other wireless devices.
The remote comes with a clip holder that mounts to your tripod leg or camera strap. I attached mine to a Peak Design strap and reached the controls easily while the camera sat locked off on a tripod.
Programming took me about 20 minutes the first time. The four buttons on the back navigate menus for delay, exposure time, interval, and shot count. Once you understand the layout, setting up a 400-shot star trail sequence takes about two minutes.
Compatibility targets Nikon cameras with the MC-DC2 port: D7500, D750, D780, Z6 III, Z7 II, D7200, D7100, D5600, D5500, D5300, D5200, Coolpix P7800, P1000, P1100, and others. It does not work with cameras using the older 10-pin port like the D850.
Build quality is solid ABS plastic at a compact 4.33 by 1.77 by 0.87 inches. It feels lighter than my old Nikon OEM remote but does not feel cheap. The wired 90cm cable gives you enough slack to step away from the camera.
Astrophotography Use Case
I shot a 4-hour Milky Way time-lapse with the JJC intervalometer set to 25-second exposures every 30 seconds. After the run, the camera had captured 480 frames with no missed shots and no signal dropouts.
The backlit LCD screen was a lifesaver during a moonless night shoot. I could read the timer values without using a headlamp, which would have ruined my dark-adapted vision.
Wired vs Wireless for Night Shoots
Wired intervalometers like this JJC eliminate one common astrophotography problem: 2.4GHz wireless interference from nearby devices. I lost 30 minutes of star exposures to wireless sync issues last year before switching to a wired remote.
For night work, a wired connection is more reliable. The trade-off is that you are tethered to the camera, which limits your movement during long shoots.
3. Pixel TW283-E3 Multi-Function Shutter Remote
- 80-meter wireless range
- Works across multiple camera brands
- Backlit display for night use
- Both wired and wireless modes
- Receiver plug can be fragile
- Long-term durability concerns
Wireless 2.4GHz
80m Range
BULB and Intervalometer
The Pixel TW283-E3 is the most versatile remote in my testing lineup. It works with Canon, Olympus, and Fuji cameras via interchangeable receiver cables, and it covers nearly every shooting mode a long exposure photographer needs.
The wireless range is rated at 80 meters, which I confirmed during a backyard range test. I could trigger my camera from inside my house through two walls and a closed window. For most photographers, that is more range than you will ever need.
The intervalometer runs up to 99 hours, 59 minutes, 59 seconds, and supports 1 to 999 shots with 1 to 99 repeats. I used this for a 600-frame sunrise-to-sunset time-lapse, and the remote handled the entire sequence without intervention.
The receiver unit plugs into your camera’s remote port and has its own 1/4-inch tripod socket on the bottom. That lets you mount the receiver to a magic arm or clamp instead of dangling it from the camera.
Auto-focus, single shot, continuous shooting, BULB, delay, and timer schedule shooting are all available from the transmitter. The 30-channel selection helps avoid interference from other photographers’ remotes at events.
Build quality is where the Pixel TW283-E3 loses some points. The receiver plug feels fragile compared to the wired remotes I tested. After three months, the cable connection on my unit shows some wear. Buyers on Amazon mention similar concerns, though most units last well over a year with normal use.
The 2.4GHz radio signal needs line of sight for maximum range, but I had no problems triggering through a standard wooden interior door. Outside, the 80-meter rating is realistic in open air.
Multi-Brand Compatibility
The Pixel TW283-E3 comes with swappable receiver cables for Canon E3, Olympus, and Fuji. If you shoot multiple camera systems or lend gear to friends, this remote covers them all with one transmitter.
Compatible Canon bodies include EOS R100, R8, R6 Mark II and III, R7, R10, R6, R, Ra, RP, R50 V, 850D, 90D, 80D, 70D. Fuji support covers GFX50S, GFX100S II, X-T5, X-H2, and X-H2S. Olympus support includes OM-1, OM-1 Mark II, OM-5 Mark II, E-M1X, and E-M1 Mark II and III.
Bulb Mode and Long Exposure Performance
The BULB mode lets you lock the shutter open for exposures up to 99 hours. I ran a 30-minute exposure test on a moonlit landscape, and the remote maintained a steady connection throughout.
For pure wired reliability, the Pixel can also be used with the cable attached directly to the receiver, giving you a backup if wireless conditions are poor.
4. PROfezzion 164ft Wireless Remote Shutter Release for Canon
- 164-foot wireless range
- Half-press autofocus works reliably
- No line-of-sight needed
- Triggers multiple receivers
- Larger transmitter than competitors
- Setup instructions unclear for some models
Wireless 2.4GHz
50m Range
5 Shooting Modes
The PROfezzion Wireless Remote is the Canon-specific wireless option I recommend most often. It costs less than the Pixel but focuses on Canon compatibility across both DSLR and mirrorless bodies.
The 164-foot (50-meter) wireless range is honest. I tested it across my yard, through a fence, and into a detached garage, and the remote triggered consistently. For wildlife photographers who need to fire a remote camera from a blind, that range is plenty.
Five shooting modes are available: single shot, 5-second delay, 3 continuous shots, unlimited continuous shooting, and BULB. The half-press for autofocus followed by full-press to fire mimics the camera’s own shutter button behavior perfectly.
The transmitter can fire multiple receivers simultaneously. I paired one transmitter to two receivers and triggered two cameras at once during a synchronized long exposure test. Both cameras fired within milliseconds of each other.
The receiver has a 1/4-inch-20 tripod socket on the bottom for mounting to a clamp or magic arm. That keeps the receiver secure instead of dangling from the camera’s port.
Compatibility covers a wide range of Canon bodies with the E3-type 2.5mm remote port: Rebel T7, T6, T5, T8i, T7i, SL3, R100, R10, R8, R7, R6, R6 Mark II, 90D, 80D, 77D, 70D, 60D, and more.
The transmitter is a bit larger than the Pixel unit. If you want something pocketable, this is bulkier. The trade-off is the dedicated Canon compatibility and lower price.
Real-World Wildlife Use
I set up the PROfezzion remote on a bird feeding station about 30 feet from my hiding spot. Over two hours, the remote fired 80 exposures without a single missed trigger.
The 5-second delay mode is great for self-portraits. I framed a long exposure of myself standing in front of a waterfall, pressed the remote, and walked into position before the shutter fired.
Battery Life and Build
Four AAA batteries power the unit. After three months of weekly use, the batteries still show full capacity. The transmitter and receiver housings are plastic but solid in the hand.
Setup is straightforward: turn on the receiver, turn on the transmitter, and they pair automatically on the same channel. The 16 available channels help when shooting near other photographers using similar remotes.
5. Nikon 25395 MC-DC2 Remote Release Cord
- OEM Nikon build quality
- Perfect compatibility with Nikon cameras
- Slide lock for bulb mode
- Reliable wired connection
- 1-meter cable may feel short
- Plastic body less durable than expected
Wired Nikon OEM
1m Cable
Slide Lock for Bulb
The Nikon 25395 MC-DC2 is the original equipment remote release for Nikon cameras, and it is the gold standard for Nikon shooters who want plug-and-play reliability. With nearly 4,000 reviews averaging 4.7 stars, this is one of the most trusted remotes on the market.
I have used the MC-DC2 on a Nikon D750 and a Nikon Z6. Both bodies recognized the remote instantly, with no menu configuration required. Half-press triggers autofocus, full-press fires the shutter, and the slide lock holds the shutter open for bulb exposures.
The 1-meter cable is the main limitation. For most tripod setups, it works fine. But if you need to step back further from the camera during a long exposure, you will want an extension or a wireless option.
Build quality is typical Nikon: functional plastic, no-frills design, but reliable. I have had my MC-DC2 for four years, and it still works perfectly despite being tossed in my bag on dozens of shoots.
The slide lock mechanism is the standout feature. Slide the button forward and the shutter stays open. Slide it back and the shutter closes. Simple, tactile, and easy to use with gloves on.
Compatibility covers Nikon cameras with the MC-DC2 remote port: D90, D5000, D5100, D5200, D5300, D5500, D5600, D7000, D7100, D7200, D7500, D750, D780, and most other consumer Nikon DSLRs and Z-series mirrorless cameras with the smaller port.
It does not work with the Nikon D850, D810, D5, and other bodies that use the 10-pin remote port. For those cameras, you need the Nikon MC-30A or a compatible third-party remote.
Why OEM Matters
I have tested several third-party Nikon remotes, and some had minor quirks like a slow autofocus trigger or a sticky lock. The OEM MC-DC2 just works every time.
For a photographer who shoots once a week and needs zero hassle, the OEM remote is worth the small premium over third-party options.
Bulb Mode Long Exposures
The slide lock makes bulb mode long exposures easy. I shot a 4-minute star trail exposure with the MC-DC2 locked open and got clean results with no shutter vibration.
For exposures longer than 30 seconds, set your camera to manual mode, dial in the bulb setting, then use the remote to open and close the shutter. The slide lock holds it open without you needing to keep your finger on the button.
6. Neewer LCD Timer Shutter Release Remote Control
- Massive 99-hour timer range
- Backlit LCD for night shooting
- Long 900mm cord included
- Very affordable
- No on/off switch drains batteries
- Battery cover may not snap securely
- Build quality varies between units
Wired LCD Timer
99h 59m 59s Range
Backlit Display
The Neewer LCD Timer Shutter Release is one of the best values for photographers who need a full-featured intervalometer without a premium price tag. I bought my first unit five years ago, and it is still in my kit today.
The headline spec is the 99-hour, 59-minute, 59-second timer delay range, with 1-second increments. That covers every intervalometer scenario from short star trail stacks to multi-day construction time-lapses.
The 900mm cord gives you enough reach to step back from the camera. I used this remote on a tripod while standing 6 feet away during a portrait shoot with a slow shutter speed.
The backlit LCD is critical for night use. I could read the timer settings during astrophotography without needing a headlamp, which preserved my dark-adapted vision.
Two AAA batteries power the unit. I keep spare batteries in my bag since the remote does not have an on/off switch. When not in use, removing the batteries is the only way to prevent slow drain.
Compatibility covers older Canon and Pentax cameras with the 2.5mm sub-mini remote port: Canon EOS 30, 33, 50E, 300, 300V, 3000, 50, 300D, 350D, 400D, 450D, 500D, 1000D, plus Pentax K100D, K110D, K10D, and *ist series cameras.
This remote does not work with newer Canon E3-port mirrorless cameras or Nikon bodies. If you shoot a Canon Rebel T7 or older DSLR, this is a perfect fit. For newer cameras, look at the Pixel or PROfezzion options above.
Why Photographers Trust This Remote
The Neewer LCD Timer has over 1,400 reviews averaging 4.5 stars, making it one of the most battle-tested intervalometers on Amazon. Users consistently praise its reliability for long exposures and time-lapse.
For under $30, you get the same timer functions found in units costing three times as much. That value is hard to beat.
Time-Lapse Photography
I shot a 6-hour cloud time-lapse with the Neewer remote set to 5-second exposures every 10 seconds. The remote fired consistently for the entire run.
The shutter lock feature for bulb mode works well. I used it for a 90-second exposure of a waterfall with a 10-stop ND filter and got sharp results with no vibration.
7. Godox TR-N1 TR-N3 Wireless Shutter Release for Nikon
- 100-meter wireless range
- Integrates with Godox flash system
- Works across Nikon Z and DSLR lines
- Excellent for lightning photography
- Not compatible with Nikon Z8
- Transmitter is larger than competitors
- Battery connection can be finicky
Wireless 2.4GHz
100m Range
Nikon Z and DSLR Compatible
The Godox TR-N1 TR-N3 is my top pick for Nikon shooters who want a professional-grade wireless remote. The 100-meter range is the longest in my testing, and the integration with the Godox X wireless flash system makes it uniquely versatile.
I tested the remote during a lightning photography session, triggering my camera from inside my car while a storm rolled in 80 meters away. Every press registered, and I captured 12 lightning strikes over two hours without a single missed shot.
Compatibility covers a wide range of Nikon DSLRs and Z-series mirrorless cameras: Z9, Z7, Z6, Z5, D850, D800E, D800, D700, D500, D300s, D300, D200, D750, D610, D600, D7500, D7200, D7100, D7000, D5600, D5500, D5300, D5200, D5100, D5000, D3300, D3200, D3100, D90.
The remote includes image stabilization, exposure timer, and interval timer functions. For astrophotography, the interval timer handled a 3-hour star trail sequence without intervention.
Two AA batteries power the unit. I got roughly 40 hours of use from a fresh pair, which is enough for most multi-day shoots.
Build quality is professional-grade. The transmitter and receiver housings feel solid in the hand, and the buttons have a satisfying click. Compared to budget remotes, the Godox feels like a step up.
The TR-N3 cable variant is the most common and works with most modern Nikon cameras. The TR-N1 variant covers older 10-pin Nikon bodies. Make sure you order the correct variant for your camera.
Wireless Range and Reliability
The 100-meter rating is realistic in open air. Through one interior wall, I got reliable triggering up to 40 meters. Through two walls, the range dropped to about 25 meters.
For wildlife and lightning photography, this range is more than enough. I have not tested it at the absolute maximum range, but at 80 meters outdoors it worked perfectly.
Godox Flash System Integration
The unique feature of the Godox remote is its compatibility with the Godox X wireless flash system. If you already use Godox flashes, you can trigger both your camera and your flashes from one transmitter.
This integration is a major workflow improvement for studio and event photographers who shoot with off-camera flash. One remote handles everything.
8. LRTimelapse PRO Timer 3.5 Camera Interval Timer
- Sub-second interval precision
- Interval ramping for smooth time-lapses
- Operates two cameras at once
- Rechargeable Li-Ion battery
- Expensive for casual users
- Release cable sold separately
- USB cable not included
USB Wired
0.1s Intervals
Two-Camera Operation
The LRTimelapse PRO Timer 3.5 is the most advanced intervalometer in this guide, designed by time-lapse pioneer Gunther Wegner. It is not for casual shooters, but for serious time-lapse and astro photographers, it solves problems no other remote can.
The biggest feature is interval ramping, which lets you smoothly change exposure times during a time-lapse. For sunrise-to-sunset shoots where light changes gradually, ramping prevents flicker and produces smoother transitions than fixed-interval shooting.
The 0.1-second interval precision is another standout. Built-in camera intervalometers typically offer 1-second minimum intervals, which limits smooth motion in fast time-lapses. The PRO Timer 3.5 lets you shoot intervals as short as 0.1 seconds.
The device operates two cameras simultaneously. I ran a side-by-side test with two cameras and got perfectly synchronized frames over a 4-hour shoot.
The rechargeable Li-Ion battery lasts through multi-day shoots. I charged mine once before a 3-day landscape time-lapse project and never needed to recharge.
The OLED display is readable in direct sunlight and total darkness. The rotary knob operation works well with gloves, which matters for cold-weather shooting.
A flashlight function built into the unit lets you illuminate foreground subjects for night time-lapses. The light is soft enough to not disturb long exposures.
Special Settings for Mirrorless
The PRO Timer 3.5 has a dedicated setting for mirrorless cameras that removes the autofocus signal delay. This solves a common frustration where mirrorless bodies wait a fraction of a second before firing.
For Sony, Fuji, and Canon mirrorless shooters doing time-lapse, this setting makes intervals more accurate. I tested it on a Sony A7 IV and the timing matched my set intervals precisely.
Build Quality and Hot Shoe Mount
The PRO Timer 3.5 is made in Germany, and the build quality reflects that. The 60-gram weight feels substantial without being heavy, and the housing has a premium matte finish.
It mounts to your camera’s hot shoe in two configurations: facing forward toward the lens or facing backward. That flexibility helps in tight tripod setups where the standard hot shoe position is blocked.
Note that the release cable is sold separately. You need to order the correct cable for your camera’s remote port. Budget another $15 to $25 for the cable.
Buying Guide: How to Choose the Best Camera Remote Shutter for Long Exposure?
Choosing the right camera remote shutter for long exposure work depends on your camera system, your shooting style, and your budget. Here is what matters most when picking a remote.
Wired vs Wireless
Wired remotes are more reliable because they cannot lose signal or suffer radio interference. For astrophotography, time-lapse, and any long exposure where you cannot afford a missed shot, a wired connection is the safer choice.
Wireless remotes give you freedom of movement. For wildlife photography, self-portraits, and situations where you need to step away from the camera, wireless is the better tool. The trade-off is occasional signal drops in crowded radio environments.
For pure long exposure work on a tripod, I recommend wired. For mixed shooting that includes wildlife or self-portraits, wireless gives you more flexibility.
Intervalometer Features
An intervalometer lets you program a sequence of shots with specific delays, exposure times, and shot counts. For time-lapse photography, intervalometer functionality is essential.
Look for a remote that supports at least 99 hours of timer range, 1-second or finer intervals, and unlimited or high shot counts. The Pixel TW283-E3, JJC, Neewer, and LRTimelapse all hit these marks.
Basic remote shutters without intervalometer functions are fine for single long exposures but cannot automate time-lapse sequences.
Bulb Mode Compatibility
Bulb mode is what allows exposures longer than 30 seconds. Not all remotes support bulb mode, so check before buying if you shoot long exposures.
A slide lock or hold function on the remote is the key feature. It locks the shutter open without you needing to keep your finger on the button. Every remote in this guide supports bulb mode.
Brand and Camera Compatibility
Remote compatibility is brand-specific. Canon cameras use either 3-pin N3 connectors (pro models) or 2.5mm E3 connectors (consumer models). Nikon cameras use either the MC-DC2 port or the 10-pin port. Sony, Fuji, and Olympus each have their own connector types.
Before buying, confirm your camera’s remote port type. Buying the wrong cable is the most common mistake photographers make with third-party remotes.
Wireless Range
For most photography, 30 to 50 meters of wireless range is plenty. Wildlife photographers who trigger remote cameras from a blind may want 80 to 100 meters.
The Pixel TW283-E3 (80 meters), PROfezzion (50 meters), and Godox TR-N1 TR-N3 (100 meters) offer the longest wireless ranges in this guide.
Battery Life and Power
Wired remotes without batteries, like the Kiwifotos RS-80N3, draw minimal power from the camera. Wireless and intervalometer remotes need AAA or AA batteries.
For multi-day time-lapse shoots, choose a remote with long battery life or a rechargeable battery like the LRTimelapse PRO Timer 3.5.
Frequently Asked Questions
What is the best camera remote shutter for long exposure?
The best camera remote shutter for long exposure depends on your camera brand and budget. For Nikon shooters, the Godox TR-N1 TR-N3 offers 100m wireless range and intervalometer functions. For Canon users, the Kiwifotos RS-80N3 delivers wired reliability at a budget price. For multi-brand shooters, the Pixel TW283-E3 works with Canon, Olympus, and Fuji via interchangeable cables.
What does a remote shutter release do?
A remote shutter release triggers your camera’s shutter without physically pressing the on-body shutter button. This prevents camera shake and vibration that would otherwise blur long exposure images. Remotes can send signals via cable (wired), infrared light, or 2.4GHz radio waves (wireless), and many include intervalometer functions for automated time-lapse sequences.
When should photographers use a remote shutter release cable?
Photographers should use a remote shutter release cable for any exposure longer than 1 second, especially astrophotography, night photography, waterfall shots with ND filters, and bulb mode exposures. A remote is also useful for self-portraits, wildlife photography from a blind, macro photography where camera stability matters, and any situation where touching the camera would introduce vibration.
Is it worth buying a remote shutter release for my camera?
Yes, a remote shutter release is worth buying for any photographer who shoots long exposures, time-lapses, or bulb mode images. The remote eliminates camera shake from pressing the shutter button and enables exposures longer than 30 seconds. Budget options under $20 work well for basic shutter release, while intervalometer remotes under $40 add time-lapse functionality.
What is the difference between a remote shutter and an intervalometer?
A remote shutter simply triggers the camera’s shutter from a distance. An intervalometer is a more advanced remote that can be programmed to fire the shutter at specific intervals, for specific exposure times, and for a specific number of shots. Many modern remotes like the Pixel TW283-E3 and JJC Intervalometer combine both functions in one device.
Final Verdict: Which Camera Remote Shutter Should You Buy?
After testing eight camera remotes over months of long exposure work, my top pick for most photographers is the Godox TR-N1 TR-N3 for Nikon shooters or the Kiwifotos RS-80N3 for Canon shooters. Both deliver reliable performance, support bulb mode, and have proven themselves in real-world conditions.
If you want the best camera remote shutter for long exposure photography with intervalometer functions and multi-brand support, the Pixel TW283-E3 hits the sweet spot of features, range, and price. For dedicated time-lapse shooters, the LRTimelapse PRO Timer 3.5 is worth the premium for its interval ramping and precision.
Whichever remote you choose, the most important step is to start using it. Even a basic wired remote eliminates the camera shake that ruins more long exposure shots than any other factor. Get one, mount it on your tripod, and your long exposure photography will improve immediately.