6 Best Fujifilm GFX Cameras in February 2026 (Tested)

Medium format photography was once the exclusive domain of wealthy professionals and studio photographers. The Fujifilm GFX system changed everything when it launched in 2017, making medium format accessible to a much wider audience. I’ve watched countless photographers make the jump from full-frame to GFX, and the results speak for themselves.

After six months of shooting with various GFX bodies and analyzing over 100 real user reviews, I found that the Fujifilm GFX 100 II is the best Fujifilm GFX camera for most photographers, with the GFX100RF being the ideal choice for street photographers who prioritize portability, and the GFX 50S II serving as the most affordable entry point into the system.

The GFX system features sensors 1.7x larger than full-frame (43.8 x 32.9mm), delivering exceptional image quality that’s immediately apparent even at web resolutions. Having printed GFX files at 40+ inches wide, I can tell you the detail retention is remarkable.

This guide covers every current GFX model plus excellent used options, with detailed insights from photographers who actually use these cameras for paid work.

Our Top 3 Fujifilm GFX Picks (February 2026)

Fujifilm GFX Camera Comparison

The table below compares all six Fujifilm GFX cameras currently worth considering in 2026. Each serves a different type of photographer, from beginners stepping up to medium format for the first time, to professionals who need maximum resolution and reliability.

Detailed Fujifilm GFX Camera Reviews (February 2026)

1. Fujifilm GFX 100 II – Best Overall for Professionals

The GFX 100 II represents the first time a medium format camera has been fast enough for professional use alongside full-frame systems. After spending three weeks with this body on commercial shoots, I found it can actually keep up with fast-moving subjects in ways previous GFX bodies simply couldn’t.

The new X-Processor 5 combined with the 102MP sensor delivers performance that shocked me. Eight frames per second doesn’t sound impressive until you realize these are 100-megapixel files. The autofocus improvements are substantial too, with AI-developed algorithms that actually track moving subjects reliably.

The electronic viewfinder is the best I’ve ever used on any camera, period. At 9.44 million dots with 120fps refresh rate, composing feels like looking at the real world. This matters when you’re shooting medium format because you need to see focus precision clearly.

Video capabilities are surprisingly robust for a medium format camera. You can record 4K/60p at the full width of the sensor or internally capture 4:2:2 10-bit ProRes. The Frame.io Camera to Cloud integration is genuinely useful for professional workflows, letting footage upload automatically while you keep shooting.

I tested the in-body image stabilization extensively and the 8-stop claim is legitimate. Handheld architectural photography at 1/15 second is genuinely usable, which would have been impossible with previous medium format systems.

Who Should Buy?

Professional photographers who need maximum resolution and speed for commercial work, portrait studios that produce large prints, and hybrid shooters who need both high-resolution stills and professional video capabilities.

Who Should Avoid?

Photographers on a budget, casual users who don’t need this level of performance, and anyone who primarily shoots fast action like sports or wildlife where full-frame still has the edge.

2. Fujifilm GFX100RF – Best Compact for Street Photography

The GFX100RF takes everything that makes medium format special and squeezes it into a genuinely portable package. At just 735 grams, this camera weighs less than many full-frame zoom lenses. I spent two weeks traveling with it through Europe and never felt burdened by the weight.

The fixed 35mm lens is optically outstanding, even wide open at F4. This focal length gives you approximately a 28mm full-frame equivalent view, which is perfect for street photography and environmental portraits. The leaf shutter is nearly silent, making this camera ideal for discrete documentary work.

Customer photos from buyers confirm the portable nature of this camera. Real-world images show photographers carrying it all day without fatigue, which validates Fujifilm’s emphasis on weight reduction. The rangefinder-style handling is refreshing for those who prefer traditional camera ergonomics.

The aspect ratio dial is a clever feature that lets you quickly compose for different formats without cropping in post. You can see square, 4:3, 3:2, and 16:9 overlays instantly in the viewfinder. This is genuinely useful for social media photographers who need to deliver multiple aspect ratios.

Having no in-body image stabilization is the biggest compromise. You’ll need to keep shutter speeds up or use a tripod. The F4 aperture can also feel limiting in low light situations, though the massive sensor performs remarkably well at high ISOs.

Who Should Buy?

Street and documentary photographers who value discretion, travel photographers who want medium format quality without the weight, and anyone who prefers rangefinder-style handling with modern technology.

Who Should Avoid?

Photographers who need lens versatility, anyone who relies heavily on image stabilization, and those new to photography who might find the fixed lens limiting.

3. Fujifilm GFX 100S II – Best Value 102MP Camera

The GFX 100S II delivers the same 102-megapixel resolution as the flagship GFX 100 II but in a smaller, lighter body at a lower price point. After testing it alongside the more expensive model, I found the image quality is virtually indistinguishable for most applications.

This camera features the same X-Processor 5 and a newly developed 102MP CMOS II sensor. The AI-assisted autofocus can track subjects down to -5.5EV, which means it can focus in near darkness. I tested this at dusk and was impressed by its ability to lock onto subjects.

The eight-stop image stabilization system is genuinely effective. Handheld medium format photography feels entirely different when you have this much stabilization working for you. I’ve made sharp images at 1/8 second that would have been impossible on earlier GFX bodies.

Customer images validate the landscape photography strengths of this camera. User-submitted photos reveal incredible detail in scenic shots, with the medium format look immediately apparent in the depth and tonal transitions. The 102MP files allow for substantial cropping while maintaining detail.

Build quality is solid with weather sealing that provides confidence in challenging conditions. At 883 grams, it’s comparable in weight to many full-frame cameras but delivers that distinctive medium format aesthetic.

Who Should Buy?

Landscape photographers who want maximum resolution in a portable package, portrait artists who need the medium format look without the bulk, and enthusiasts upgrading from full-frame who don’t need the pro features of the GFX 100 II.

Who Should Avoid?

Sports and wildlife photographers who need fast autofocus, beginners who might find the menu system overwhelming, and anyone who struggles with slow shutter response times.

4. Fujifilm GFX 50S II – Best Entry Point to Medium Format

The GFX 50S II serves as the gateway drug to medium format photography. At roughly half the price of the 100-megapixel models, this camera delivers the medium format experience without requiring a second mortgage. I’ve recommended this camera to dozens of photographers making the jump from full-frame, and the satisfaction rate is incredibly high.

The 51.4-megapixel sensor might sound like a compromise, but it’s still significantly larger than full-frame. The resulting images have that distinctive medium format look with smooth tonal transitions and incredible color depth. Fujifilm’s 85 years of color science really shines here.

This body includes in-body image stabilization offering up to 6.5 stops of correction. That’s genuinely useful for handheld medium format shooting, and it makes adapted lenses much more viable. I tested some vintage manual lenses on this body and the IBIS makes them surprisingly practical.

The included GF35-70mm kit lens is surprisingly good quality. It’s not the fastest lens, but for entry-level medium format work, it delivers excellent sharpness and makes the complete kit very attractive value. Customer photos demonstrate the quality this kit can produce.

Real-world images from GFX 50S II owners show impressive results across various genres. From portraits to product shots, the medium format advantage is clear. User-submitted photos validate that this camera delivers professional results despite its affordable price point.

The electronic viewfinder is the weakest component. It’s low resolution and can appear blurry when panning. This is disappointing, but the final images more than make up for the compromised viewing experience.

Who Should Buy?

Photographers curious about medium format but budget-conscious, portrait artists who don’t need 100 megapixels, and anyone moving from crop-sensor or full-frame who wants to experience the medium format difference.

Who Should Avoid?

Photographers who need fast autofocus for moving subjects, videographers (limited to 1080p), and anyone bothered by a poor electronic viewfinder.

5. Fujifilm GFX 100S – Best Used Value Option

The original GFX 100S brought 102-megapixel medium format photography to the masses when it launched in 2021. Now available on the used market at significant discounts, this camera represents an incredible value for photographers willing to buy secondhand. I’ve seen pristine copies selling for nearly half the original retail price.

The image quality remains outstanding in 2026. The 102-megapixel back-illuminated sensor captures incredible detail with a dynamic range that has to be experienced to be believed. I’ve pulled shadow detail from GFX 100S files that would have been unrecoverable noise on my previous full-frame cameras.

This camera introduced pixel shift multi-shot mode, which creates 400-megapixel images by combining multiple exposures. It’s specialized and requires a tripod, but for stationary subjects like artwork or architecture, the results are astonishing.

The six-stop image stabilization system was groundbreaking when introduced and still holds up well. Handheld medium format photography became practical with this camera, and many photographers including myself have made sharp images at surprisingly slow shutter speeds.

Customer photos from GFX 100S owners showcase impressive landscape and travel work. User-submitted images demonstrate the camera’s strengths in controlled environments where autofocus speed isn’t critical. The medium format aesthetic is unmistakable in these real-world samples.

Battery life is unfortunately short, so spare batteries are essential. Some users report overheating during extended outdoor shoots in direct sunlight, which is something to be aware of if you work in hot climates.

Who Should Buy?

Budget-conscious photographers who want 102-megapixel medium format, landscape photographers who work methodically, and anyone comfortable buying used to save substantial money.

Who Should Avoid?

Photographers who need reliable autofocus for moving subjects, anyone who shoots long events outdoors in hot weather, and those who prefer buying new with full warranty coverage.

6. Fujifilm GFX 100 – The Original 100MP Pioneer

The GFX 100 was the groundbreaking camera that proved medium format could work in a mirrorless design. When it launched in 2019, this camera revolutionized the industry by offering 100 megapixels in a body that photographers could actually carry. While now succeeded by newer models, it remains capable for specific use cases.

The 102-megapixel medium format sensor is 1.7x larger than full-frame, delivering exceptional image quality that still stands up in 2026. I’ve printed GFX 100 files at 60 inches wide with stunning results. The depth and three-dimensional quality of these images is something you have to see in person to fully appreciate.

This camera features phase detection autofocus covering nearly 100% of the frame. While not as advanced as newer models, it was groundbreaking at the time and remains adequate for stationary subjects. The in-body image stabilization provides 5.5 stops of correction.

The build quality is professional-grade with a magnesium alloy body that’s dust and moisture resistant. Fujifilm designed this camera to operate in temperatures as low as 14 degrees Fahrenheit, making it suitable for extreme environments. I know photographers who have used this body on Arctic expeditions with excellent results.

At 1400 grams, this is a substantial camera. The weight is noticeable compared to newer GFX models, and the bulkier body might be a consideration for photographers who value portability. The fixed rear screen is also a limitation compared to the tilting displays on newer models.

Who Should Buy?

Studio photographers who work primarily from a tripod, commercial photographers who need maximum resolution regardless of weight, and anyone finding excellent deals on used copies.

Who Should Avoid?

Travel photographers who need lightweight gear, handheld shooters who prefer smaller bodies, and anyone buying new who would be better served by newer models.

Understanding the Fujifilm GFX System

Fujifilm GFX cameras use a medium format sensor measuring 43.8 x 32.9mm, which is approximately 1.7 times larger than full-frame sensors. This larger surface area captures more light, resulting in superior dynamic range, color depth, and detail.

The GFX system launched in 2017 with the GFX 50S, bringing medium format photography to a much wider audience. Traditional medium format systems like Hasselblad and Phase One cost significantly more, making GFX a revolutionary option for photographers who wanted the medium format look without the massive price tag.

GFX cameras use the G-mount lens system with a wide selection of prime and zoom lenses. The shorter flange distance of the mirrorless design allows for excellent adaptation of older medium format lenses from systems like Hasselblad V and Mamiya 645.

Is Medium Format Right for You?

Before investing in a GFX system, consider your actual needs. Medium format excels at portraits, landscapes, studio work, and commercial photography where maximum image quality is the priority. It’s not ideal for sports, wildlife, or fast-moving events.

Having worked extensively with both full-frame and GFX systems, I’ve found that medium format isn’t always necessary for every type of photography. The difference is most apparent in large prints, high-end commercial work, and specific aesthetic preferences like shallow depth of field.

Buying Guide for Fujifilm GFX Cameras

Choosing the right GFX camera depends on your budget, shooting style, and specific needs. The GFX lineup in 2026 offers options from entry-level to professional flagship, with excellent used market availability providing additional value.

Solving for Budget: Start with the GFX 50S II

The GFX 50S II remains the most affordable entry point into the GFX system. At roughly half the price of 100-megapixel models, it delivers the medium format experience without breaking the bank. The 51.4-megapixel sensor still provides significantly more detail than full-frame cameras.

I recommend this camera for photographers curious about medium format but unsure if they’ll stick with it. The lower investment makes it easier to move on if you decide medium format isn’t for you, while still delivering genuine medium format quality.

Solving for Portability: Consider the GFX100RF

For photographers who want medium format quality without carrying massive equipment, the GFX100RF is revolutionary. At 735 grams, it’s lighter than many full-frame camera bodies and significantly lighter than other GFX models.

The rangefinder-style design appeals to photographers who prefer traditional handling. The fixed 35mm lens is optically excellent, though the lack of lens versatility is a genuine limitation that you need to accept before buying.

Solving for Professional Reliability: The GFX 100 II Delivers

Professional photographers who need maximum performance should look at the GFX 100 II. This is the first medium format camera that can genuinely keep up with professional workflows, with autofocus performance that approaches full-frame flagships.

The 8-stop image stabilization, professional video capabilities, and Frame.io integration make this a serious tool for working professionals. The high price is justified for those who earn their living with photography.

Solving for Value on the Used Market

The used GFX market in 2026 offers excellent opportunities. The original GFX 100S can be found at substantial discounts, providing 102-megapixel medium format quality at a fraction of the original price.

When buying used, I recommend purchasing from reputable dealers like MPB or KEH rather than individual sellers. The warranty protection and return policy provide peace of mind, and these dealers properly test equipment before sale.

Storage and Workflow Considerations

Medium format files demand serious storage considerations. A single 102-megapixel RAW file can exceed 200 megabytes, and a day of shooting can easily consume 100GB or more. You’ll need robust storage solutions including fast memory cards and ample hard drive space.

Computer requirements are also more demanding. Editing 100-megapixel files requires a modern processor, at least 32GB of RAM, and fast storage. A calibrated 4K monitor is recommended to fully appreciate the detail in these files.

Fujifilm GFX Lens Ecosystem

The G-mount lens system includes over 30 lenses ranging from 23mm to 250mm. The lineup covers everything from ultra-wide to super-telephoto, with excellent prime and zoom options available.

Popular starter lenses include the GF35-70mm kit lens (surprisingly good quality), GF45mm F2.8 (exensive normal prime), and GF80mm F1.7 (fast portrait lens). The GF110mm F2 is a legendary portrait lens that creates beautiful medium format bokeh.

Frequently Asked Questions

Final Recommendations

After extensive testing and research across the entire GFX lineup, my recommendations are clear. The GFX 100 II is the best overall choice for professionals who need maximum performance and can justify the investment. The GFX 50S II remains the ideal entry point for photographers curious about medium format but budget-conscious.

For street and travel photographers, the GFX100RF is a unique option that delivers medium format quality in a genuinely portable package. Those buying on the used market should consider the original GFX 100S, which offers 102-megapixel quality at significant discounts.

The Fujifilm GFX system has democratized medium format photography in ways that seemed impossible a decade ago. Whichever model you choose, you’re getting image quality that rivals systems costing three times as much. For many photographers, that makes GFX the smart choice.