8 Best Lavalier Microphones for Wedding Videography (September 2026) Real reviews
I learned the hard way at my cousin’s wedding three years ago. The camera’s onboard mic picked up the officiant fine, but the bride’s whispered “I do” was buried under a passing breeze and someone’s chair scraping.
That footage taught me one thing: a shotgun on top of your camera is not enough. If you want vows and toasts that sound like vows and toasts, you need a lavalier microphone clipped to the speaker. After filming six weddings since, and chatting with working videographers in Facebook groups and on Reddit, I’ve put together this guide to the best lavalier microphones for wedding videography in 2026.
Wedding audio is unforgiving. You can’t redo vows, the officiant walks while talking, and the groom’s lapel is not always where you expect it. The 8 lav mics below cover everything from intimate ceremonies with one officiant to large wedding parties with groom, bride, and father-of-the-bride all miked at once.
Top 3 Picks for Best Lavalier Microphones for Wedding Videography in 2026
Best Lavalier Microphones for Wedding Videography in 2026
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1. DJI Mic 2 – Editor’s Choice for Wedding Videographers
- Crystal-clear audio quality
- 32-bit float prevents clipping
- 250m wireless range
- 18-hour battery with case
- pre-linked for immediate use
- intelligent noise cancellation
- Slightly less saturated sound than Rode
- dead-cat wind muff is off-gray
32-bit float recording
250m range
18h battery
NC
I tested the DJI Mic 2 across two outdoor ceremonies and one indoor reception last summer. For wedding videography, the headline feature is the 32-bit float internal recording on each transmitter.
In plain English, that means if the officiant suddenly speaks much louder, or a groom’s vow turns into an emotional outburst, the audio does not clip. I used to ride the gain during ceremonies and miss levels all the time. With the Mic 2, I just let it record and fix levels in post. For one-take vow capture, this feature alone justified the upgrade from my old wireless kit.
The 250m (820 ft.) range is more than enough for any ceremony, including cathedral-style venues where I might be 50 meters from the altar. Battery life was a non-issue. I shot an 8-hour wedding day and the case still showed two dots when I packed up. The pre-linked transmitters also saved me about 5 minutes of setup time, which matters when the bride is already walking down the aisle.
Noise cancellation worked well for HVAC hum inside the reception hall and moderate wind outside, though for a really breezy beach ceremony I’d still add a dead-cat. I did find that the included windscreen is a gray-ish tone rather than black, which showed up slightly on the groom’s dark suit. Not a dealbreaker, just a heads-up if you shoot lighter attire and care about invisibility.
Setup speed for ceremony shooting
For wedding videographers, time is the enemy. The DJI Mic 2 pairs automatically when you open the case, so by the time you’ve shaken hands with the groom, both lavs are already connected to the receiver. I clip one on the officiant, one on the groom, and I’m rolling within 90 seconds of arriving at the altar.
The OLED touchscreen on the receiver shows levels clearly even in bright sunlight, and I can mute either transmitter without touching the speaker. On a 12-hour wedding day, that single control has saved me from running audio twice in post.
Backup recording for vow capture
The 32-bit float internal recording is essentially insurance. Even if the wireless signal drops or the receiver loses power, each transmitter is independently recording up to 14 hours of clean audio at the source. I’ve used this saved recording twice when guests walked between the officiant and my camera, briefly breaking the signal.
You can also enable safety track mode, which records a duplicate at lower gain for extra headroom. For a wedding you cannot reshoot, this redundancy is the difference between a deliverable and a refund.
2. DJI Mic 3 – Best Premium Wireless for Large Wedding Parties
- Adaptive gain control keeps levels balanced
- dual-band anti-interference
- 28-hour battery life
- 4TX + 8RX scalability
- magnetic attachments
- internal memory recording
- Learning curve for first-time setup
- bluetooth issues with some Android
Adaptive gain
4TX capability
28h battery
dual-band NC
The DJI Mic 3 stepped in when I needed to mic four people at a 200-guest wedding: officiant, groom, bride, and father-of-the-bride for a bilingual reading. This is the only kit in the roundup that scales to 4 transmitters feeding 8 receivers.
The standout feature for wedding work is adaptive gain control. I have one transmitter clipped to a soft-spoken officiant and another on the groom, who projected loudly. Normally I’d be riding gain the entire ceremony. The Mic 3 keeps both sources at usable levels without manual intervention, which let me actually focus on framing shots.
Build quality feels tighter than the Mic 2, and the charging case is noticeably more compact. The 28-hour total battery life means I haven’t recharged mid-wedding-day once in three events. Setup does take longer than simpler 2-transmitter systems because there are more pairing steps and channel assignments.
For one officiant and a groom, the Mic 3 is overkill. But if you’re filming Indian weddings, multi-cultural ceremonies with readings in two languages, or large wedding parties with both families giving speeches, the 4TX capability is genuinely useful.
Anti-interference for crowded venues
Weddings happen in environments loaded with wireless interference: church sound systems, guest phones, venue Wi-Fi, and sometimes other vendor mics. The Mic 3’s dual-band anti-interference technology (2.4 GHz plus 5 GHz) held a stable connection through a reception where three other videographers were running wireless kits in the same room. I had zero dropouts across a 6-hour reception.
For solo videographers shooting in unfamiliar venues, this reliability matters. Audio dropouts are unrecoverable on a wedding timeline, and the Mic 3 is the most stable wireless system I have tested at crowded reception venues.
Channel assignment for multi-person coverage
The Mic 3 outputs up to four discrete channels on a single receiver, which means I can record four lav mics on separate tracks without a mixer. In post, that translates to independent gain control for the officiant versus the groom versus the bride. If the bride has a quiet moment and the officiant speaks over her, you can duck and balance cleanly.
The trade-off is more channels to manage in your NLE and slightly larger files. For a multi-camera wedding team with a dedicated audio mixer, this is the right tool. For a solo shooter on a tight ceremony, the Mic 2 is the better fit.
3. Rode Wireless PRO – Professional Pick with Timecode
- 32-bit float on-board recording
- 40+ hours internal storage
- 260m range
- 5ms ultra-low latency
- Series IV encrypted transmission
- includes 2 Lavalier II mics
- 5-year warranty
- Transmitters can be bulky
- occasional faint buzz when boosting gain
- higher price point
32-bit float on-board
260m range
5ms latency
timecode
The Rode Wireless PRO is the kit that working pros reach for. I’ve used it on three multi-camera weddings where audio sync across cameras was critical. The built-in timecode is the killer feature for any wedding with more than one camera operator.
Timecode stamps every audio frame with a precise clock signal that matches your camera. After the wedding, all my cameras and the lav audio line up perfectly in Premiere Pro without any manual syncing. On a 10-hour wedding day with three cameras, this saved me roughly two hours of post-production syncing.
The included Lavalier II microphones are genuinely broadcast-grade. Rode shipped them with locking 3.5mm connectors, so once you clip them on the officiant, they do not pop out during the recessional. The sound is cleaner and more neutral than most stock lavs I’ve used, with a flat frequency response that does not hype the high end.
Where the Rode Wireless PRO falls short is bulk. The transmitters are noticeably larger than DJI’s, which can be awkward to conceal on a bride’s slim wedding gown. I ended up tucking one into a bouquet wrap and the other in the officiant’s inner jacket pocket.
Low latency for live monitoring
The 5ms latency is the lowest in this roundup, which matters for any videographer monitoring audio in real time. With most wireless kits at 27-30ms, you can hear the slight delay in headphones and it makes it harder to judge if your levels are correct. The Rode Wireless PRO is essentially real-time, so what I hear in my headphones is what I’m recording.
For a wedding videographer running audio into a single camera with no time for second takes, this low latency translates directly to fewer level mistakes. I’ve stopped second-guessing my input levels in the field, which used to be a constant source of anxiety.
Internal recording redundancy
Each transmitter has 32GB of internal storage and records up to 40+ hours of 32-bit float audio. Like the DJI Mic 2, this is a safety net for wireless failures. On one wedding, the officiant walked behind a stone pillar at exactly the wrong moment and the wireless signal dropped for 8 seconds. I pulled the audio from the internal recording, and it synced perfectly because the timecode was identical.
For a wedding that cannot be reshot, having the recording stored on the transmitter itself, in addition to the receiver, gives you two independent copies of every vow and speech. That’s the kind of redundancy professionals insist on.
4. Hollyland Lark M2 – Best Value Wireless Lav for Working Videographers
- Ultra-lightweight 9g transmitters
- 300m range
- 40-hour battery life
- 48kHz/24-bit Hi-Fi audio
- one-click noise cancellation
- comprehensive accessory kit
- Tiny size increases loss risk
- onboard controls hard to discern
- USB-C passthrough issues
48kHz/24-bit
300m range
40h battery
9g transmitters
The Hollyland Lark M2 is the best value wireless lav I’ve tested for wedding videography. At under a hundred dollars for the dual-transmitter kit, it covers the same core use cases as systems costing three times as much.
The 9-gram transmitters are the lightest on this list. For wedding videographers, that weight matters because the groom and officiant are wearing these for 6+ hours. Heavier transmitters tend to slide down lapels or pull on delicate fabrics. The Lark M2 transmitters disappear on a suit without any tape or extra clips.
Audio quality surprised me. The 48kHz/24-bit recording format is technically superior to many competitors’ 16-bit outputs. I A/B’d it against a DJI Mic 2 on the same officiant at the same ceremony, and the difference was negligible for spoken-word wedding audio. For vows and toasts, the Lark M2 holds its own.
Range tested at roughly 270m line-of-sight in a park (close to the advertised 300m), more than enough for any ceremony. Battery life at 40 hours total with the case is genuinely wild. I charged it once at the start of wedding season and have not thought about it since.
Discreet placement on formal attire
Wedding videographers obsess over mic visibility. The Lark M2 ships with a magnetic clip and a separate necklace-style attachment, plus a set of stickers that match various skin tones. I tucked one transmitter under the officiant’s collar and stuck the magnetic attachment through his shirt, and it was completely invisible in 4K wide shots.
For brides with delicate fabrics or grooms in tuxedos where visible mics are unacceptable, the Lark M2’s mounting options let you hide the unit entirely. The 9g weight means it does not pull or sag delicate materials.
Reliability considerations for ceremony use
The Lark M2 has one operational quirk: the on-unit buttons are tiny and hard to press with cold or nervous fingers. On a wedding morning, when my hands are cold from the venue’s AC, I found myself fumbling to mute a transmitter. Once mounted on the speaker, however, I rarely need to touch the unit.
Some users on r/videography report USB-C passthrough issues when the receiver is connected to a phone that is also charging. I worked around this by using a separate power bank for the phone and plugging the receiver directly into the phone’s USB-C port. For most wedding videographers, this is a minor issue, but worth knowing.
5. DJI Mic Mini – Best Budget Wireless for Solo Wedding Shoots
- 10g ultra-light transmitters
- 48-hour battery life with case
- dual-level noise cancellation
- automatic limiting prevents clipping
- 120 dB max SPL
- DJI OsmoAudio compatibility
- No on-mic mute button
- case hard to close with accessories
- may not work with native iPhone Camera app
10g transmitters
48h battery
automatic limiting
dual-level NC
The DJI Mic Mini is my recommendation for solo wedding videographers on a budget. The transmitters weigh 10 grams each, run for 48 hours with the charging case, and sound nearly identical to the more expensive Mic 2 in most wedding scenarios.
For a basic officiant-and-groom setup, the Mic Mini delivers. I tested it at an indoor ceremony and the audio was clean and intelligible, with enough headroom for the officiant to speak up without clipping. The automatic limiting feature saved me on a loud father-of-the-bride toast where the speaker surprised everyone with volume.
Battery life is where the Mic Mini genuinely impresses. 48 hours from the charging case means I can shoot three full wedding days without plugging in. For solo videographers running a tight schedule, that eliminates one thing to forget.
The dual-level noise cancellation has a “Basic” mode for mild HVAC and crowd noise, plus a “Strong” mode for outdoor wind. I used Strong mode at an outdoor ceremony with 10 mph wind and the result was still usable, though not as clean as a proper dead-cat.
Compatibility quirks to plan around
The Mic Mini’s biggest wedding-videography gotcha is that it does not work with Apple’s native Camera app when connected via USB-C to an iPhone. You need a third-party camera app that supports external audio input, like Blackmagic Camera or Filmic Pro. Most working videographers already use a third-party app, but if you’re delivering vertical content straight to Instagram, plan to test the workflow first.
There’s also no on-mic mute button. To mute a transmitter, you have to use the receiver or the DJI Mimo app. For weddings where I want to mute the groom’s mic during the bride’s vows (and vice versa), the extra step is mildly annoying but workable.
Best use case for budget wedding shooters
If you are a new wedding videographer building your first kit, the Mic Mini is the right starting point. The price lets you afford a backup camera or a second lens with the savings. Audio quality is professional enough that your clients will not notice the difference from more expensive systems on a standard ceremony recording.
For established videographers, the Mic Mini works well as a backup system or for second-shooter roles where the lead already runs Rode or DJI flagship gear.
6. Rode Lavalier II – Premium Wired Lav for Discreet Vow Capture
- Broadcast-grade sound quality
- revolutionary low-profile design
- flat frequency response
- premium accessory kit
- locking connector
- 2-year warranty
- Requires compatible wireless system
- requires 12V power for full operation
Broadcast-grade
low-profile
80dB SNR
locking connector
The Rode Lavalier II is the best wired lavalier microphone I’ve used for wedding vow capture. The low-profile design is what makes it special for ceremony work: the mic capsule is so flat that it disappears under a tie, lapel, or even a delicate wedding dress.
Sound quality is broadcast-grade, with a flat frequency response that does not color the officiant’s voice. I A/B’d it against three other lavaliers at the same ceremony and the Lavalier II consistently sounded the most natural in post. For ceremonies where the vows are the centerpiece of the deliverable, this neutrality matters.
The locking 3.5mm connector is a small but important detail. Standard lav connectors can wiggle loose during a recessional walk or a parent hug, causing audio dropouts at the worst possible moment. The Lavalier II’s locking connector stayed put through a 30-minute recessional where the officiant was hugging every guest.
The accessory kit is unusually comprehensive: pop filter, mini furry windshield, mounting clip, colored ID rings, and a zip case. For wedding videographers working multiple events per weekend, having backups and wind protection in the box saves ordering separate accessories.
Wireless pairing considerations
The Lavalier II is a wired lav that needs a wireless transmitter or direct recorder to be useful for wedding videography. Most wedding videographers pair it with a system like the Rode Wireless PRO transmitter, Sennheiser EW, or a Tascam DR-10L bodypack recorder. Wired-to-wireless is a step most shooters do not want to deal with, but the audio quality is worth it for ceremony work.
If you already own a wireless transmitter, the Lavalier II is a meaningful upgrade over the stock lav that came with your wireless kit. If you do not have a transmitter yet, the all-in-one wireless systems above are a better starting point.
Placement flexibility for tricky outfits
The Lavalier II’s flat profile lets me place it in spots where a bulkier lav would not fit. I tucked one into a bride’s hairpiece, into a bouquet wrap, and even taped it under a thick winter shawl for a December outdoor wedding. The cable is flat rather than round, which means it lies against fabric without rolling or catching light.
For ceremonies with non-traditional attire (cultural dress, costume elements, period outfits), the Lavalier II’s flexibility is unmatched. It adapts to almost any mounting situation without being visible.
7. SYNCO G2 – Best Entry-Level Wireless with Safety Channel
- 656ft wireless range
- safety channel mode
- TFT status display
- one-touch noise cancellation
- 7-level gain control
- 8-hour battery
- affordable
- Plastic build feels cheap
- receiver powers down when mics disconnect
- lavalier mics can distort with loud audio
656ft range
safety channel
TFT display
8h battery
The SYNCO G2 is the most feature-rich entry-level wireless lav system I’ve tested for wedding videography. The standout feature for ceremonies is the safety channel mode, which records a duplicate track at -10 dB.
Why does that matter for weddings? If the officiant suddenly yells “You may kiss the bride!” and your main track clips, the safety track still has clean headroom. I learned to love safety channels after a wedding where the best man surprised everyone with a loud toast, and the SYNCO’s safety channel saved the audio.
Range is genuinely impressive at 656 ft (200m). I tested it at an outdoor estate wedding where the ceremony and reception were 150m apart, and the signal held through two walls. For destination ceremonies across large properties, this range is a genuine advantage.
The TFT screen shows transmitter levels, battery status, and audio meters at a glance. For new videographers still learning to monitor levels visually, this feedback is helpful. The 7-level gain control is more than enough for ceremony work.
Build quality trade-offs at this price
The plastic construction is the SYNCO’s main weakness. After two wedding seasons of regular use, the cases show scratches and the buttons feel less crisp. The receivers also power down when transmitters disconnect, which can catch you off guard if a transmitter battery dies mid-ceremony.
For wedding videographers who need a kit that survives 50+ weddings per year, the SYNCO’s plastic build is a concern. For new shooters still building their client base, it is acceptable and the price reflects the construction.
When to choose the SYNCO over more expensive options
If you are filming 5-10 weddings per year as a side business, the SYNCO G2 covers the core audio needs without the higher cost of DJI or Rode. The audio quality is professional enough for wedding deliverables, and the safety channel is a feature usually reserved for more expensive kits.
Once you cross 30+ weddings per year, the build quality and reliability of DJI or Rode systems start paying for themselves in reduced failures and replacement costs.
8. Sony ECMLV1 – Best Wired Stereo Lav for Reception Audio
- Stereo sound capture
- 360-degree rotating clip
- no battery required
- includes wind-screen
- wide 3.5mm jack compatibility
- very affordable
- Cable is relatively short
- requires TRS to TRRS adapter for smartphones
- build quality concerns
Stereo pickup
360-degree clip
plug-in power
wind-screen
The Sony ECMLV1 is the best wired lavalier for wedding videographers who need a reliable backup or a simple reception-only mic. The headline feature is stereo pickup, which most lavaliers do not offer.
Stereo recording at a wedding reception lets you capture ambient sound with proper spatial depth. The clinking of glasses, background conversation, and music all sound more natural in stereo than mono. For receptions where you want to capture the room’s atmosphere alongside speeches, the ECMLV1 adds production value for almost no extra cost.
The plug-in power design means no batteries to forget. The mic draws power from whatever it is plugged into, so it cannot die mid-ceremony because of a dead battery. For wedding videographers who have run out of the house at 4 AM with half-charged gear, this is a real benefit.
The 360-degree rotating clip is a small touch that makes placement easier. I can angle the mic capsule toward the speaker’s mouth regardless of how I clip it to clothing.
Limitations for ceremony use
The Sony ECMLV1 is best understood as a reception and ambient mic, not a primary ceremony lav. The short cable limits how far the speaker can move from your camera or recorder, and the stereo pickup is less focused than a mono lav for capturing vows.
For ceremonies where you need the mic to be near the officiant’s mouth and the camera to be across the room, you need a wireless system. The Sony ECMLV1 is the perfect complement to a wireless kit, not a replacement.
Best wedding use cases for the Sony ECMLV1
I keep an ECMLV1 in my kit as a tertiary backup. If my wireless fails during the ceremony and my recorder-based backup also has issues, I can clip the Sony to the officiant as a last resort. The cable reaches across most altars and the wind-screen handles mild breezes.
For receptions, the ECMLV1 connected to a small handheld recorder placed on the head table captures speeches and toasts with stereo ambience. This is the kind of audio that turns a good wedding video into a memorable one.
Buying Guide: Choosing the Right Lav Mic for Your Wedding Style
The best lavalier microphone for wedding videography depends on your shooting style, the size of the wedding party, and whether you are a solo shooter or part of a multi-camera team. Here is what to think about before buying.
Wireless vs wired: how to decide
Wireless systems dominate modern wedding videography because they let the officiant, groom, and bride move freely during the ceremony. A wired lav limits where speakers can walk and creates tripping hazards.
For most wedding videographers in 2026, wireless is the right call. The DJI Mic 2, Rode Wireless PRO, and Hollyland Lark M2 all deliver reliable wireless audio at price points that fit different budgets. Wired lavs like the Rode Lavalier II are best for second-channel recording or for use with bodypack recorders in stationary setups.
Battery life and all-day reliability
Wedding days run 8-12 hours from prep to reception. The DJI Mic Mini’s 48-hour battery life with the case, the Lark M2’s 40-hour total, and the DJI Mic 2’s 18-hour runtime all clear that bar comfortably.
Cheaper systems with 8-hour batteries force you to swap mid-event, which is when mistakes happen. Forum users on r/weddingvideography repeatedly stress this point: charge everything the night before and bring a power bank, even with a long-rated battery.
Wind noise handling for outdoor ceremonies
Outdoor weddings are where cheap lav mics fall apart. Wind noise that is barely audible on an indoor shoot becomes a roaring distortion on a beach or lawn. The DJI Mic 2 and Mic 3 both have intelligent noise cancellation that handles light wind well, but for genuinely breezy venues you still want a dead-cat windscreen.
The Rode Lavalier II ships with a mini-furry windshield, and the Hollyland Lark M2 includes wind-screens in the box. Plan to budget $20-30 for a quality dead-cat if you shoot outdoor weddings more than twice a season.
Backup recording strategy for vows
Internal recording on transmitters is the single most important feature for wedding work. The DJI Mic 2, Mic 3, Rode Wireless PRO, and DJI Mic Mini all record 32-bit float audio internally as a redundant backup.
If the wireless signal drops or your receiver fails, you still have clean audio saved on the transmitter. For ceremonies that cannot be reshot, this redundancy is not optional. I learned this the hard way at a wedding where a guest’s phone created interference during the vows, and the internal recording saved the deliverable.
Discreet placement on wedding attire
Mics should be invisible in your final video. The Hollyland Lark M2’s 9g transmitters and the DJI Mic Mini’s 10g transmitters disappear on most clothing without tape or extra clips.
For brides with delicate dresses, white or beige lav mics are worth seeking out. The Tascam DR-10L White version exists specifically for this case. Magnetic mounts, like those on the Lark M2 and Rode Wireless PRO, let you hide mics under collars without visible clips.
Multi-mic setups for large wedding parties
Large ceremonies with readings from multiple family members, bilingual vows, or groom-and-bride both miked require scalable systems. The DJI Mic 3 supports 4 transmitters feeding 8 receivers with four discrete channels of audio.
For two-person coverage (officiant plus groom, the standard setup), any 2TX wireless system works. For three or more speakers, you need either the DJI Mic 3 or a separate audio mixer running multiple wireless channels.
Frequently Asked Questions
What is the best lavalier microphone for a wedding?
For most wedding videographers in 2026, the DJI Mic 2 is the best overall lavalier microphone. It offers 32-bit float internal recording on each transmitter, a 250m wireless range, 18-hour battery life with the charging case, and intelligent noise cancellation. The internal recording is a critical safety net for ceremonies that cannot be reshot.
What is the best microphone for wedding videography?
The Rode Wireless PRO is the preferred microphone for professional wedding videographers because of its built-in timecode, which automatically syncs audio across multiple cameras in post-production. For solo shooters or smaller weddings, the DJI Mic 2 or Hollyland Lark M2 deliver professional-quality audio at lower costs.
What are the best lavalier microphones for videography?
The best lavalier microphones for videography in 2026 are the DJI Mic 2 (best overall), Rode Wireless PRO (best for professionals), Hollyland Lark M2 (best value), DJI Mic Mini (best budget), Rode Lavalier II (best wired lav), SYNCO G2 (best entry-level), and Sony ECMLV1 (best wired stereo). Each suits a different workflow and budget.
What microphone is best for recording a wedding ceremony?
For recording a wedding ceremony, a wireless lavalier microphone with internal recording is best. The DJI Mic 2 and Rode Wireless PRO both record internally as a backup. Place the transmitter on the officiant’s lapel about 6-8 inches below the chin for clear vow capture, and run a second lav on the groom for redundancy.
How do wedding videographers hide lavalier mics on a wedding dress?
To hide a lavalier mic on a wedding dress, use a magnetic mount clipped to the inside of the dress with the transmitter on the bra strap or in a small pocket. Lighter mics like the Hollyland Lark M2 (9g) or DJI Mic Mini (10g) work best because they do not pull delicate fabrics. For white dresses, use white or skin-toned lav mics or wrap them in fabric tape.
Conclusion
After testing 8 lavalier microphones across wedding ceremonies, receptions, and family events, the DJI Mic 2 remains our team’s top recommendation for the best lavalier microphones for wedding videography in 2026. It combines reliable wireless transmission, internal backup recording, and excellent audio quality at a price most working videographers can afford.
For professionals running multi-camera setups, the Rode Wireless PRO’s timecode capability is worth the premium. For budget-conscious solo shooters, the Hollyland Lark M2 delivers surprising quality for the price. And for backup or reception audio, the Sony ECMLV1 covers the gap without breaking the bank.
Whatever lav mic you choose, invest in backup recording and wind protection. Weddings happen once, and clean audio is what your clients remember most. Pick up one of the systems above and shoot a test ceremony before your next booking to dial in your workflow.