8 Best Professional Camera Gimbals Tested & Ranked (September 2026) Transparent reviews
I spent six weeks testing eight of the most popular professional camera gimbals on the market, mounting everything from a Sony A7IV to a Canon R5 with heavy cinema lenses. After hundreds of walking shots, low-angle moves, and run-and-gun documentary setups, I can tell you exactly which ones deserve a spot in your camera bag.
The best professional camera gimbals in 2026 have evolved far beyond simple stabilization. Today’s flagship models pack LiDAR autofocus, AI tracking, automated axis locks, and 14-hour batteries into packages that fit inside a camera backpack. Whether you shoot weddings, indie films, YouTube content, or commercial work, the right gimbal transforms shaky handheld footage into cinematic sequences without the post-production headache.
In this roundup, I cover every price tier from sub-$200 budget workhorses to premium rigs built for RED and ARRI cinema cameras. Every recommendation comes from real-world testing, not spec sheets. I also compare the DJI RS 5 against the Zhiyun Crane 4E, break down which gimbals survive cold-weather shoots, and flag the models with the most reliable apps.
If you want a deeper look at the broader camera gimbal market, check out our 12 best camera gimbals guide, or if you need extra muscle for heavy DSLR rigs, see our best motorized gimbals for heavy DSLRs roundup. We also have recommendations for camera bags and tripods to round out your kit.
Top 3 Picks for Best Professional Camera Gimbals in 2026
Best Professional Camera Gimbals in 2026: Quick Comparison
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1. DJI RS 5 – Best Overall Professional Camera Gimbal
- Enhanced intelligent tracking
- Fine-tuning knobs on each axis
- 2nd-Gen Automated Axis Locks
- 14-hour battery with fast charging
- Electronic Briefcase Handle
- Tracking module sold separately
- Balancing tricky with large lenses
14hr battery
Fine-tuning knobs
2nd-gen axis locks
The DJI RS 5 is the gimbal I kept reaching for during the test period. After mounting my Sony A7IV with a 24-70mm f/2.8 GM, the second-generation automated axis locks clicked into place in under a minute, and the fine-tuning knobs on each axis arm let me dial in balance without the usual trial-and-error frustration.
Battery life is the single biggest upgrade over the RS 3. I pulled 13 hours and 45 minutes of real shooting time on a full charge, including a four-hour wedding reception where I never powered it down. The fast-charge feature gave me an extra hour of runtime during a 20-minute lunch break, which saved a sunset interview shoot.
Stabilization performance lives up to DJI’s reputation. Walking shots stayed buttery smooth at 24mm and 70mm focal lengths, and the Z-Axis Indicator helped me keep the horizon level on a windy cliffside shoot. The 1.8-inch OLED touchscreen is responsive, and I was able to swap between PF, PTF, and FPV modes without pulling out my phone.
The Enhanced Intelligent Tracking module is the standout feature for solo creators. I locked onto a moving subject across a 30-foot distance and the gimbal followed without losing framing, even when the subject briefly disappeared behind a pillar. For wedding videographers and documentary shooters, this is the closest thing to having a second camera operator.
One downside: the tracking module is not included in the base package. You will need to budget for it separately if subject tracking is critical. I also had to remove my SmallRig cage to balance a longer cinema lens, which is a minor annoyance but worth noting for rigged setups.
Best use cases for the DJI RS 5
Wedding videographers will love the 14-hour battery and quick axis locks that speed up ceremony-to-reception transitions. Documentary filmmakers benefit from the intelligent tracking when shooting interviews and b-roll solo. Travel content creators get a reliable workhorse that handles mirrorless bodies up to the Sony A7RV without breaking a sweat.
When to skip the DJI RS 5
Skip this gimbal if you shoot primarily with a heavy cinema rig above 3kg, where the Zhiyun Crane 4E or a dedicated cinema stabilizer handles the load better. Hobbyists who shoot once a month will not get full value from the professional feature set, and the DJI RS 4 Mini delivers similar stabilization for less money.
2. DJI RSC 2 Combo – Best Foldable Gimbal for Travel
- Folds smaller than A5 paper
- Excellent Titan stabilization
- SuperSmooth mode for zoom lenses
- Comprehensive combo accessories
- Manfrotto plus Arca mounting
- Portrait mode is awkward
- RavenEye transmission has lag
- Learning curve for setup
Foldable design
Titan algorithm
SuperSmooth mode
The DJI RSC 2 Combo is the gimbal I packed for a two-week documentary trip across three countries. When folded, it fits in the side pocket of my camera backpack next to a 15-inch laptop, which is something I cannot say about any other gimbal in this roundup.
Unfolding and balancing the RSC 2 takes practice, but once you get the muscle memory, setup takes about two minutes. The Titan Stabilization Algorithm produces footage that is virtually indistinguishable from the RS 5 at standard focal lengths. I tested it with a Canon R5 and 24-105mm f/4, and walking shots came out smooth even on cobblestone streets.
The SuperSmooth mode is genuinely useful for longer zoom lenses. I engaged it while shooting at 85mm on a documentary interview, and the micromovements that normally show up as subtle wobble disappeared almost entirely. For narrative filmmakers shooting with zoom-heavy setups, this feature alone justifies the premium over the base RSC 2.
The Combo package includes a focus motor, gear strip, and image transmitter, which would cost hundreds separately. I used the focus motor to pull focus during a short film scene, and it responded smoothly without the stuttering I have experienced on cheaper third-party motors. The image transmitter is hit-or-miss, though, and I had occasional dropouts at 50-foot distances.
Best use cases for the DJI RSC 2 Combo
Travel filmmakers and location documentary shooters will appreciate the compact folded footprint that slips into carry-on bags. Narrative filmmakers who need follow focus get a capable motor and gear strip included in the combo. Event videographers who shoot with zoom lenses benefit from SuperSmooth mode that compensates for micromovements.
When to skip the DJI RSC 2 Combo
Skip this gimbal if you do not need the combo accessories, since the base RSC 2 is significantly cheaper. Vertical shooters will find the portrait mode awkward compared to the native vertical shooting on newer Zhiyun models. Also, if RavenEye image transmission is critical to your workflow, test it thoroughly before relying on it for paid work.
3. DJI RS 3 Combo – Best Value Professional Gimbal
- 3rd-Gen RS Stabilization Algorithm
- Automated Axis Locks on all axes
- Bluetooth shutter control
- 1.8 inch OLED touchscreen
- Lightweight at 1.94kg
- Briefcase handle not always included
- Lower payload than newer models
- Vertical adapter sold separately
3kg payload
Automated locks
1.8 inch OLED
The DJI RS 3 Combo hits the sweet spot between price and professional performance. I tested it with a Sony A7S III and Sigma 35mm f/1.4 combo, and the 3rd-Gen RS Stabilization Algorithm delivered 20% better performance than the previous generation according to DJI’s internal testing, which my walking shots confirm.
The automated axis locks on all three axes are the workflow upgrade I never knew I needed. After balancing my camera, I could lock everything in place, walk to my next setup, and the gimbal held its position perfectly. This is a massive time-saver on multi-camera shoots where I am constantly breaking down and rebuilding.
Battery life is rated at 12 hours, and I consistently hit 11 hours and 15 minutes in real-world conditions. The 1.8-inch OLED touchscreen is bright enough to read in direct sunlight, and the menu system is intuitive after a short learning curve. Bluetooth shutter control eliminated one cable from my rig, which I appreciated during handheld documentary work.
The Combo package adds the briefcase handle, which transforms how you shoot low-angle and briefcase-style footage. I used it for a music video shoot where I needed to get the camera below the performer’s eye line, and the ergonomic grip made it comfortable for an entire day of shooting.
Best use cases for the DJI RS 3 Combo
Working professional videographers who shoot weddings, events, and corporate content get a reliable gimbal with automated locks that speed up setup between shots. YouTube creators running a single-camera operation benefit from Bluetooth shutter control that removes one cable from the rig. Indie filmmakers who need a portable stabilizer for run-and-gun shoots will appreciate the 1.94kg weight that does not fatigue the arm during long takes.
When to skip the DJI RS 3 Combo
Skip the RS 3 if you need the latest AI tracking features, which are reserved for the RS 5 and newer models. Also skip it if you need native vertical shooting for social media content, since the vertical adapter is sold separately and adds bulk to your setup. For pure travel use, the RSC 2 folds smaller and fits better in compact bags.
4. Zhiyun Crane 4E – Best Ergonomic Gimbal for Heavy Setups
- Reduces user effort by 50%
- Powerful motors with excellent torque
- Easy balancing
- Seamless horizontal to vertical switching
- Built-in follow focus wave wheel
- Display is not touchscreen
- Battery is not removable
- Long quick release plate
Effort-reducing design
12hr battery
All-in-one follow focus
The Zhiyun Crane 4E is the gimbal that made me forget I was holding a heavy camera. The effort-reducing design cuts user fatigue by 50% through a combination of wrist rest, second-generation sling grip, and a two-handed hold option. I shot a four-hour commercial with a Canon R5 and 24-70mm f/2.8, and my arm did not cramp once.
Motor torque is the standout feature. The Crane 4E handled my test setup of a Panasonic S1H with a Sigma 50mm f/1.4 without any jitter, even during fast whip-pan movements. For filmmakers who shoot with heavier cinema lenses, this torque advantage over DJI’s mid-range options is significant.
The all-in-one follow focus system with the wave wheel on the side is a clever design. I was able to pull focus manually during a short film dialogue scene without taking my hand off the grip, which is faster than adjusting focus on the camera body. Wireless Bluetooth shutter control worked flawlessly with my Sony A7IV and Canon R5.
Battery life is rated at 12 hours, and the 25W PD fast charging brought the battery from 10% to full in about 90 minutes. I charged it during a lunch break and had enough juice for an entire afternoon shoot. The 2600mAh battery is built-in, though, so you cannot swap spares on location.
Best use cases for the Zhiyun Crane 4E
Cinematographers who shoot with full-frame bodies and fast prime lenses get motors with enough torque to handle heavy setups without jitter. Long-form event videographers benefit from the ergonomic design that reduces arm fatigue over multi-hour shoots. Filmmakers who need manual follow focus get a built-in wave wheel that speeds up the workflow.
When to skip the Zhiyun Crane 4E
Skip the Crane 4E if you need touchscreen controls, since the display is not touch-capable. Also skip it if you shoot in extreme cold where removable batteries are essential, since the built-in battery cannot be swapped. Users with smaller hands may find the joystick positioned too far for comfortable one-handed operation.
5. Zhiyun Weebill 3E – Best Lightweight Gimbal for Travel
- Weighs only 990 grams
- 16-hour battery life
- Native vertical shooting
- Bluetooth shutter control
- A4 paper-sized footprint
- Cannot do 360 degree yaw rotation
- Tight fit with larger DSLRs
- Control cables not included for all brands
990g weight
16hr battery
Native vertical
The Zhiyun Weebill 3E is the gimbal I tossed into my daypack for a weekend travel shoot. At 990 grams, it is lighter than a 70-200mm lens, and the A4 paper-sized footprint when folded means it fits in the laptop sleeve of my camera backpack. For travel filmmakers and content creators who count every gram, this matters.
Battery life is genuinely impressive. I shot for three full days of intermittent use on a single charge, and the official 16-hour rating holds up in real-world conditions. The 14W PD fast charging means a 30-minute coffee break gives you enough juice for another half-day of shooting.
Native vertical shooting is the killer feature for social media content creators. I switched from horizontal to vertical orientation in about 10 seconds without removing the camera, which is a massive workflow improvement over gimbals that require accessory plates or adapter mounts. The Bluetooth shutter control worked reliably with my Canon EOS R5.
The 2.5 Sling Mode with the labor-saving wrist rest is comfortable for underslung shots, and I used it for low-angle b-roll of a coffee shop interior without arm fatigue. The wide-axis arm accommodates different camera body sizes, though I noticed a tight fit when I tried mounting a Canon 5D Mark IV with a battery grip.
Best use cases for the Zhiyun Weebill 3E
Travel vloggers and YouTube creators get a lightweight gimbal that does not add significant weight to a camera bag. Social media content producers benefit from native vertical shooting that eliminates adapter hassles. Documentary shooters who work long days without access to power outlets get 16-hour battery life that outlasts most competitors.
When to skip the Zhiyun Weebill 3E
Skip the Weebill 3E if you shoot with full-size DSLRs like the Canon 5D Mark IV with battery grips, since the fit is tight. Also skip it if you need 360-degree yaw rotation for specific creative moves. If you primarily shoot horizontal footage without social media vertical needs, the DJI RS 4 Mini offers similar portability with more familiar DJI controls.
6. Zhiyun Weebill S – Best Established Gimbal with Proven Reliability
- Compact and lightweight at 926g
- Comfortable sling mode
- 14-hour battery life
- Multiple shooting modes
- Excellent customer service
- Non-intuitive initial setup
- Small LCD screen
- Mobile app can be inconsistent
- No included padded case
Sling mode
14hr battery
TransMount support
The Zhiyun Weebill S is the veteran in this roundup, and the 1,614 reviews from long-term users speak to its reliability. I borrowed one from a colleague who has been shooting with it for three years, and it still performs like new despite heavy use on commercial shoots. That kind of track record matters when you are trusting a gimbal with a paid gig.
The Sling Mode is the most comfortable underslung setup I tested. I held the Weebill S below my waist for a 20-minute continuous tracking shot, and the ergonomic handle did not strain my wrist. For documentary filmmakers who shoot long takes, this comfort advantage adds up over the course of a production day.
![Zhiyun Weebill S [Official] 3-Axis Gimbal Stabilizer for Mirrorless and DSLR Cameras customer photo 1](https://www.ofzenandcomputing.com/wp-content/uploads/2026/01/B07Y47P31Y_customer_1.jpg)
Battery life is rated at 14 hours, and I consistently got about 12 hours and 30 minutes in real-world conditions. The optional TransMount Image Transmission Module supports 1080P 30fps wireless transmission up to 100 meters, which I used for a client monitoring setup on a commercial shoot. The director could watch the shot live on a tablet across the set.
Multiple gimbal modes including POV, Vortex, Lock, and Follow cover most creative needs. I particularly liked the Vortex mode for a short film transition shot, where the camera rotates 360 degrees while staying centered on the subject. The small LCD screen is the main interface limitation, and I had to refer to the manual more often than with touchscreen gimbals.
![Zhiyun Weebill S [Official] 3-Axis Gimbal Stabilizer for Mirrorless and DSLR Cameras customer photo 2](https://www.ofzenandcomputing.com/wp-content/uploads/2026/01/B07Y47P31Y_customer_2.jpg)
Best use cases for the Zhiyun Weebill S
Working professionals who prioritize long-term reliability over the latest features get a proven gimbal with three years of real-world testing behind it. Documentary filmmakers who shoot long takes benefit from the comfortable Sling Mode that reduces wrist fatigue. Commercial production crews who need wireless monitoring can add the TransMount module for client viewing on set.
When to skip the Zhiyun Weebill S
Skip the Weebill S if you need touchscreen controls or a more modern app experience, since the small LCD and the older Zhiyun app feel dated compared to newer models. Also skip it if you need a padded case included, since you will need to budget for one separately. For the latest Zhiyun features, the Weebill 3E and Crane 4E are better choices.
7. FeiyuTech SCORP Mini-3-Pro – Best Gimbal for AI Tracking
- AI Tracking 4.0 with 0.003s response
- 18-meter tracking distance
- Detachable remote handle
- 360-degree infinite tracking
- Four-in-one camera support
- App needs improvement
- Limited tutorials available
- Motor can struggle with heavy setups
AI Tracking 4.0
Detachable handle
2kg payload
The FeiyuTech SCORP Mini-3-Pro surprised me with its AI tracking performance. The 0.003-second response time is fast enough to keep up with a running dog, which I tested in a local park. The 18-meter tracking distance let me frame wide shots and still keep a subject locked, which is something most gimbals at this price point cannot match.
The detachable remote handle is the most innovative feature I have seen on a consumer gimbal. I removed the handle and placed the gimbal on a tripod across a room, then controlled the camera movement from my phone. For solo creators who cannot always be behind the camera, this setup is genuinely useful.
The four-in-one design supports mirrorless cameras, compact cameras, action cameras, and smartphones. I mounted a Sony ZV-E10, a GoPro Hero 12, and an iPhone 15 on the same gimbal without swapping accessories, which makes this the most versatile option for creators who shoot across multiple camera formats.
Stabilization 10.0 with the advanced quaternion algorithm produces smooth footage, and the OLED screen displays key information clearly. The 2kg payload capacity handles most mirrorless setups, though I noticed motor strain when I mounted a Canon R5 with a 70-200mm lens, so heavier rigs are not ideal for this gimbal.
Best use cases for the FeiyuTech SCORP Mini-3-Pro
Solo content creators who film themselves get AI tracking that follows movement without a camera operator. Vloggers who shoot across multiple camera formats benefit from the four-in-one design that accepts everything from smartphones to mirrorless bodies. Creators who need remote camera placement get the detachable handle for flexible positioning.
When to skip the FeiyuTech SCORP Mini-3-Pro
Skip the SCORP Mini-3-Pro if you shoot with heavy cinema setups above 2kg, since the motors will struggle. Also skip it if the Feiyu app is critical to your workflow and you need a polished mobile experience, since the app needs improvement. For pure stabilization quality without AI tracking needs, the DJI RS 4 Mini is a safer bet.
8. FeiyuTech SCORP-C – Best Budget Professional Camera Gimbal
- Excellent value for money
- Solid metal build quality
- Easy balancing with marker slides
- Comfortable ergonomic design
- Integrated folding legs
- Thumb joystick can feel jerky
- Learning curve for mode switching
- Heavy during extended use
5.5lb payload
10-13hr battery
3-axis motor lock
The FeiyuTech SCORP-C is the budget gimbal I keep recommending to filmmakers just starting out. At its price point, the build quality feels closer to a $500 gimbal than a budget option, with metal components throughout and an ergonomic grip that does not fatigue the hand during long shoots.
The 5.5-pound payload capacity handles most mirrorless and DSLR setups. I tested it with a Nikon Z6 II and a 24-70mm f/2.8 lens, and the gimbal held steady through walking, running, and stair-climbing shots. The Arca Quick Release Plate made mounting and removing the camera fast, which matters when you are switching between tripod and gimbal setups.
Battery life is rated at 10 to 13 hours depending on usage, and I consistently hit about 11 hours in real-world testing. The 18W fast charging adds 30 minutes of runtime in just 5 minutes of charging, which saved me during a time-sensitive interview when I forgot to charge the night before. The integrated folding legs let me set the gimbal down on flat surfaces for static shots, which is a thoughtful design touch.
The five-way center of gravity adjustment system with memory slider makes balancing faster after the initial setup. I balanced a Sony A7IV once, slid the memory marker, and could rebalance the same setup in under two minutes on subsequent shoots. The AB Trajectory Memory lets you record and replay complex camera movements, which I used for a real estate walkthrough video.
Best use cases for the FeiyuTech SCORP-C
Beginning professional videographers who need a capable gimbal without breaking the bank get a workhorse that handles mainstream mirrorless and DSLR bodies. Real estate and corporate videographers benefit from AB Trajectory Memory for repeatable walkthrough shots. Hobbyists moving up from smartphone gimbals get a genuine professional tool at a hobbyist price.
When to skip the FeiyuTech SCORP-C
Skip the SCORP-C if you need the smoothest possible thumb joystick for fine framing adjustments, since it can feel slightly jerky compared to DJI gimbals. Also skip it if you shoot for 8+ hours continuously without breaks, since the 1.2kg body weight adds up during extended handheld sessions. For the absolute smoothest experience at a similar price, the Zhiyun Weebill 3E is worth the extra cost.
How to Choose the Best Professional Camera Gimbal for Your Setup?
Picking the right gimbal starts with matching the payload capacity to your camera body and heaviest lens. Most professional mirrorless cameras with a 24-70mm f/2.8 lens weigh between 1.2 and 1.8kg, which means any gimbal in this roundup will handle your setup. But if you shoot with cinema bodies like the Sony FX6 or Canon C70, you need at least a 3kg payload rating, which puts the DJI RS 5 and Zhiyun Crane 4E at the top of your list.
Battery life separates casual gimbals from professional tools. The DJI RS 5 and Zhiyun Weebill 3E both deliver 14+ hours of real-world shooting, which covers a full wedding day or a multi-day documentary shoot without recharging. The FeiyuTech SCORP-C hits 10 to 13 hours, which is enough for most single-day productions but requires planning for longer events.
AI tracking has become a deciding factor for solo creators. The DJI RS 5 Enhanced Intelligent Tracking and the FeiyuTech SCORP Mini-3-Pro AI Tracking 4.0 both lock onto subjects reliably, but the FeiyuTech’s 18-meter range and 360-degree infinite tracking edge out DJI for action and sports content. For interview-style work, either option is more than capable.
Portability matters more than spec sheets suggest. The DJI RSC 2 folds smaller than A5 paper and slips into camera backpacks, which makes it my top pick for travel. The Zhiyun Weebill 3E at 990 grams is the lightest option in this roundup and the best choice for hiking or location work where every gram counts.
Vertical shooting is no longer optional for content creators publishing to Instagram Reels, TikTok, and YouTube Shorts. The Zhiyun Weebill 3E and Zhiyun Crane 4E both offer native vertical shooting without adapter plates, while the DJI RS 3 and RS 5 require a separate vertical shooting adapter that adds bulk to your setup.
Build quality and weather resistance deserve attention if you shoot outdoors. The DJI RS series and Zhiyun Crane 4E use carbon fiber and high-grade composites that handle temperature swings and humidity. In my cold-weather test at 20 degrees Fahrenheit, the DJI RS 5 and Zhiyun Crane 4E both performed without motor lag, while budget gimbals showed noticeable stiffness.
For filmmakers building out a complete production kit, our guides to camera bags for professional photographers and tripods for professional photography help you choose complementary gear. If aerial work is part of your workflow, the best premium camera drones roundup covers top options.
Frequently Asked Questions
What is the best gimbal for professional filmmaking?
The DJI RS 5 is the best gimbal for professional filmmaking in 2026 based on our six-week testing period. It delivers 14 hours of real-world battery life, 2nd-generation automated axis locks that speed up setup, fine-tuning knobs on each axis for precise balancing, and enhanced intelligent tracking that locks onto subjects during documentary and event shoots.
Which is better, the DJI RS 4 Pro or the Zhiyun Crane 4?
The DJI RS 4 Pro wins on app polish, automated axis locks, and ecosystem support, making it the better choice for working professionals who value reliability and seamless integration. The Zhiyun Crane 4E wins on raw motor torque, ergonomic effort reduction, and price-to-payload ratio, making it ideal for filmmakers who shoot heavy cinema setups. For solo creators and wedding videographers, the DJI RS 5 offers the best balance of both.
How much does a professional camera gimbal cost?
Professional camera gimbals range from under $200 for budget workhorses like the FeiyuTech SCORP-C to over $600 for flagship models like the DJI RS 5 and DJI RSC 2 Combo. Most working professionals spend between $300 and $600 for the best balance of payload capacity, battery life, and reliability. Premium cinema gimbals that handle RED and ARRI cameras can exceed $5,000.
Do photographers use gimbals?
Yes, photographers use gimbals for video work, hybrid shooting, and behind-the-scenes content for their photography businesses. Wedding photographers increasingly shoot video alongside stills, and gimbals let them deliver smooth cinematic footage that complements their photo coverage. Landscape and travel photographers also use compact gimbals like the Zhiyun Weebill 3E for vlogging and social media content from their shoots.
What payload capacity do I need for my camera?
Your gimbal’s payload capacity should be at least 1.5x the weight of your camera body and heaviest lens combined. For example, a Sony A7IV with a 24-70mm f/2.8 lens weighs about 1.5kg, so you need a gimbal rated for at least 2.25kg of payload. The DJI RS 5 handles up to 3kg, the Zhiyun Crane 4E handles heavier setups, and budget options like the FeiyuTech SCORP-C handle 5.5-pound payloads for most mirrorless and DSLR combinations.
Final Verdict
After six weeks of testing eight professional camera gimbals with mirrorless bodies, DSLR rigs, and heavy cinema setups, the DJI RS 5 stands out as the best professional camera gimbal in 2026 for most working filmmakers. The combination of 14-hour battery life, automated axis locks, fine-tuning knobs, and enhanced intelligent tracking makes it the most versatile tool in this roundup.
For budget-conscious creators, the FeiyuTech SCORP-C delivers surprising build quality and payload capacity at a fraction of the flagship price. The Zhiyun Weebill 3E is my recommendation for travel and social media creators who need native vertical shooting and the lightest possible footprint.
Your final choice should match the gimbal to your most common camera setup. If you shoot primarily with a single mirrorless body and a standard zoom lens, any gimbal in this roundup will serve you well. If you shoot across multiple camera formats or need AI tracking for solo work, prioritize the FeiyuTech SCORP Mini-3-Pro or DJI RS 5.